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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cook, Christopher

Year: 2004
Complete Citation:
Cook, Christopher. “‘I Was Always Taught to Dream Big’: Susan Graham.” BBC Music Magazine, Vol. 12, No. 11 (2004): 24-27.
Source: Magazine
IV. Individual Studies by Genre
E. Songs

Cooney, Denise Van Glahn

Year: 1996
Complete Citation:
Cooney, Denise Van Glahn. “A Sense of Place: Charles Ives and ‘Putnam’s Camp, Redding, Connecticut.” American Music 14/3 (Fall 1996): 276-312.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Cooney, Denise Von Glahn

Year: 1997
Complete Citation:
Cooney, Denise Von Glahn. “New Sources for The ‘St. Gaudens’ in Boston Common (Colonel Robert Gould Shaw and His Colored Regiment).” Musical Quarterly 8 (Spring 1997): 13-50.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Copland, Aaron

Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music, 11/2 (January 1934): 59-64.
Source: Journal
Reprints:

Copland, Aaron. “One Hundred and Fourteen Songs.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307-312. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
E. Songs
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music (January--February 1934) 11/2: 59--64.
Notes:

Discussion of selected songs.

Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1963
Complete Citation:
Copland, Aaron. Charles Ives. The Estate of Aaron Copland. 1963.
Notes:

Unpublished article for The American People's Encyclopedia. Two typewritten pages from two handwritten pages. There are also four typewritten pages on which Copland ex-panded his ideas on Ives's style.

Source: Unpublished Article
V. General Music Studies
A. Short Biographies and Profiles
Year: 1972
Complete Citation:
Copland, Aaron. Music and Imagination. Cambridge, MA: Harvard University Press, 1972.
Source: Book
V. General Music Studies
C. Other

Corcoran, Gary

Year: 1969
Complete Citation:
Corcoran, Gary. “Still More on Ives.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Cowell, Henry

Year: 1932
Complete Citation:
Cowell, Henry. “American Composers, IX: Charles Ives.” Modern Music, Vol. 10, No. 1 (1932): 24.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1932
Complete Citation:
Cowell, Henry. “American Composers IX: Charles Ives.” Modern Music 9/10 (November 1932).
Source: Journal
Reprints:

Cowell, Henry. “Charles E. Ives.” <i>American Composers on American Music: A Symposium</i>, edited by Henry Cowell. Stanford, CA: Stanford University Press, 1933: 128-135. * Cowell, Henry. “Charles E. Ives.” <i>American Composers on American Music: A Symposium, </i>edited by Henry Cowell. New York: Frederick Ungar Publishing<br>Co., 1962: 128--145.

V. General Music Studies
A. Short Biographies and Profiles

Cowell, Henry.

Year: 1949
Complete Citation:
Cowell, Henry. “Review of Three-Page Sonata.” The Musical Quarterly vol. 35 (1949).
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Cowell, Henry and Sidney

Year: 1955
Complete Citation:
Cowell, Henry and Sidney. Charles Ives. Perspektiven 5/13 (1955): 120-138.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1955
Complete Citation:
Cowell, Henry and Sidney. “Charles Ives.” Perspectives, USA 13 (Autumn 1955): 38-56.
Source: Book
V. General Music Studies

Cowell, Henry and Sidney Cowell

Year: 1955
Complete Citation:
Cowell, Henry. “Charles Ives.” Perspectives USA (Autumn 1955): 38-56.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Crane, Frederick

Year: 1982
Complete Citation:
Crane, Frederick. “How Should the Jew’s Harp Part of ‘Washington’s Birth-day' be played?” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 49-57.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Crawford, John C. and Dorothy L. Crawford

Year: 1993
Complete Citation:
Crawford, John C. and Dorothy L. Crawford. Charles Ives. In Expressionism in Twentieth-Century Music. Bloomington, IN: Indiana University Press, 1993.
Source: Chapter in Book
V. General Music Studies
C. Other

Crump, Peter

Year: 1965
Complete Citation:
Peter Crump, “Ives Then and Now.” Composer 17 (October 1965): 12.
Source: Journal
V. General Music Studies

Crunden, Robert M.

Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives’ Innovative Nostalgia.” The Choral Journal 15/4 (December 1974): 5-12.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives: The Man and His Music: Charles Ives’ Innovative Nostalgia.” The Choral Journal, vol. 15, no. 4 (1974): 5-12.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Crutchfield, Will

Year: 1985
Complete Citation:
Crutchfield, Will. “The ‘Concord’ Sonata: An American Masterpiece.” Opus 1, no. 4 (June 1985): 21-22.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works