Image
decorative banner image

Bibliography

Moor, Paul

Year: 1948
Complete Citation:
Moor, Paul. “On Horseback to Heaven: Charles Ives.” Harper’s Magazine, Vol. 197, No. 1180, September, 1948.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Morgan, Robert P.

Year: 1974
Complete Citation:
Morgan, Robert P. “Charles Ives.” Stagebill 2/2, October 1974, 6-11.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Morin, Alexander

Year: 2002
Complete Citation:
Morin, Alexander. “Charles Ives.” In Classical music: the listener's companion. San Francisco, CA: Backbeat Books; Berkeley, CA, 2002.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Moross, Jerome

Year: 1976
Complete Citation:
Moross, Jerome. “Some Thoughts On Ives.” In South Florida's Historic Ives Festival, 1974-1976, 38. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Morris, Harold

Year: 1932
Complete Citation:
Morris, Harold. “Fourth of July.” Contemporary American Music [Rice Institute, Houston] (April 1932): 5.
Source: Conference Publication
IV. Individual Studies by Genre
A. Orchestral and Band Works

Morrison, Richard

Year: 1996
Complete Citation:
Morrison, Richard. “Art’s Secret Geniuses, from A to Z.” Times, January 17, 1996.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Mortenson, Gary Curtis and Robert Frederick Schmalz

Year: 1989
Complete Citation:
Mortenson, Gary Curtis and Robert Frederick Schmalz. “Perspectives on Charles Ives’s From the Steeples and the Mountains (1901).” Inter-national Trumpet Guild Journal 13/3 (1989): 25-27.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Mueller, John H.

Year: 1951
Complete Citation:
Mueller, John H. The American Symphony Orchestra: A Social History of Musical Taste. Bloomington, IN: Indiana University Press, 1951.
Source: Book
Reprints:

Mueller, John H. <i>Orchestras: A History and Analysis of Their Repertoires, Seasons 1842-43 through 1969-70</i>, 183-184. Bloomington, IN: Indiana University Press, 1973.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Mumelter, Martin

Year: 1993
Complete Citation:
Mumelter, Martin. “Zu den Violinsonaten von Charles Ives.” Osterreichische Musikzeitschrift 48/3-4 (March-April 1993): 147-151.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Murphy, Scott

Year: 2008
Complete Citation:
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Murray, Lucy Miller

Year: 2015
Complete Citation:
Murray, Lucy Miller. “Charles Ives (1874-1954).” In Chamber music: an extensive guide for listeners. Lanham, MD: Rowman & Littlefield, 2015.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Mussulman, Joseph A.

Year: 1979
Complete Citation:
Mussulman, Joseph A. Dear People ... Robert Shaw: A Biography. Bloomington, IN: Indiana University Press, 1979.
Notes:

Relates the story of the per-formance of Harvest Home Chorales and Psalm 67 (1948 April), with Shaw's letter to the Collegiate Chorale members about the difficulty of the music and Mrs. Ives's letter to Shaw; lists Ives as a donor to the New Friends of Music, supporters of the Collegiate Chorale (76-78); tells of performing the middle section of Psalm 90: "Teach us to num-ber our days,"on the 1967 tour of the Robert Shaw Chorale, as an en- core in Chicago's Orchestra Hall (163). In Chapter 10, "The Second Battle of Atlanta," there is much discussion of Shaw's choosing to per- form contemporary music and the conflicts that caused with the [Atlan-ta] Symphony [Orchestra] Board of Sponsors. "Of the nearly one hund-red titles on the [orchestra's] combined Romantic and Subscription series, only thirty-four belonged chronologically to the twentieth- century. But fourteen of them, plus two dated before 1900, bore the one name that could itself evoke in timid ears an insufferable din, and in tightly closed minds a most delicious loathing: Charles Ives!" (223).

Source: Book
Reprints:

Mussulman, Joseph A. <i>Dear People ... Robert Shaw: A Biography</i>. Chapel Hill, NC: Hinshaw Music, 1996.

IV. Individual Studies by Genre
D. Choral Works

Myler, Derek J.

Year: 2019
Complete Citation:
Myler, Derek J. “Charles Ives and Techniques of Choral Narrative: Exploring Three Harvest Home Chorales.” The Choral Journal, vol. 59, no. (2019): 8-29.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Nardolillo, Jo

Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 2 for Violin and Piano.” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 4 “Children's Day at Camp.”” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Nathan, Hans

Year: 1960
Complete Citation:
Nathan, Hans. “The Modern Period—United States of America.” In A History of Song, edited by Denis Stevens, 431-437. New York, NY: W.W. Norton, 1960.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Nelson, Mark Douglas

Year: 1984
Complete Citation:
Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Newman, Philip Edward

Year: 1967
Complete Citation:
Newman, Philip Edward. “The Songs of Charles Ives,” Ph.D. diss., University of Iowa, 1967.
Notes:

Unpublished

Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs

Nicholls, David

Year: 1990
Complete Citation:
Nicholls, David. “In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954).” In American Experimental Music: 1890-1940, 5-88. Cambridge, United Kingdom: Cambridge University Press, 1990.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Nichols, Janet

Year: 1990
Complete Citation:
Nichols, Janet. American Music Makers: An Introduction to American Com-posers. New York, NY: Walker & Co., 1990.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles