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Bibliography

Rummenhöller, Peter

Year: 2000
Complete Citation:
Rummenhöller, Peter. “Seismograf Der Moderne: Das Klavier Im Zwanzigsten Jahrhundert.” Neue Zeitschrift Für Musik 161/1 (2000): 12-17.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Ryan, Norman

Year: 1994
Complete Citation:
Ryan, Norman. Composer handbook: a brief introduction to composers. New York, NY: G. Schirmer, 1994.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Sabin, Robert

Year: 1963
Complete Citation:
Sabin, Robert. “Twentieth-Century Americans.” In Choral Music: A Symposium, edited by Arthur Jacobs, pp. 371-372. Baltimore, MD: Penguin Books, 1963.
Source: Chapter in Book
Reprints:

Sabin, Robert. “Twentieth-Century Americans.” In <i>Choral Music: A Symposium</i>, edited by Arthur Jacobs, 371-372. Baltimore, MD: Penguin Books, 1978.

IV. Individual Studies by Genre
D. Choral Works
Year: 1963
Complete Citation:
Sabin, Robert. “20th-century Americans.” In Choral Music: 4 Symposium, edited by Arthur Jacobs. Baltimore, MD: Penguin Books, 1963.
Source: Chapter in Book
Reprints:

Sabin, Robert. “20th-century Americans.” In <i>Choral Music: 4 Symposium</i>, edited by Arthur Jacobs, 371-372. Baltimore, MD: Penguin Books, 1978.

IV. Individual Studies by Genre
D. Choral Works

Salter, Lionel

Year: 1978
Complete Citation:
Salter, Lionel. “Charles Ives.” In The Gramophone guide to classical composers. New York, NY: Crescent Books, 1978.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. "Ives." In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

V. General Music Studies
A. Short Biographies and Profiles
Year: 1968
Complete Citation:
Salzman, Eric. “Charles Ives, American.” Commentary, August 1968, 37-43.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Sarch, Kenneth

Year: 1966
Complete Citation:
Sarch, Kenneth. “The Village Band Becomes a Symphony.” Selmer Bandwagon (November 1966) 14/4: 19--21.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Saxena, Shalini

Year: 2014
Complete Citation:
Saxena, Shalini. “Charles Ives.” In Top 101 Musicians. New York, NY: Rosen Publishing, 2014.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Schans, Peter J.

Year: 1955
Complete Citation:
Schans, Peter J. “More about Charles Ives.” MONY Talks 14/7 (April 1955) 14/7: 8, 9, 15.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Schatt, Peter W.

Year: 1991
Complete Citation:
Schatt, Peter W. “Charles Ives…‘Central Park in the Dark.’ Sekundarstufe II.” Musik in der Schule 2/7 (1991): 47.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schiff, David

Year: 1997
Complete Citation:
Schiff, David. “The Many Faces of Ives.” Atlantic Monthly 279/1, January 1997, 84-87.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Schiff, David, Stuart Feder, Tom Owens, and Jan Swafford

Year: 1996
Complete Citation:
Schiff, David, Stuart Feder, Tom Owens, and Jan Swafford. “Ives the Person [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
V. General Music Studies
A. Short Biographies and Profiles

Schmidtals, Lenard

Year: 2004
Complete Citation:
Lenard Schmidtals. “Einige kompositorische Verfahren in Central Park in the Dark.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 149-156. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schnepel, Julie

Year: 1995
Complete Citation:
Schnepel, Julie. “The Critical Pursuit of the Great American Symphony, 1893-1950.” Ph.D. diss., Indiana University, 1995, 527-541.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schoffman, Nachum

Year: 1977
Complete Citation:
Schoffman, Nachum. “Charles Ives’s Song ‘Vote for Names’.” Current Musicology, no. 23 (1977): 56-68.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Scholz, Gottfried

Year: 1994
Complete Citation:
Scholz, Gottfried, ed. “Charles Ives Three Improvisations for Piano.” In Pluralismus analytischer Methoden. Publikation des Institut fur Musikanalytik, Wien, 3. Frankfurt am Main, Germany/New York, NY: Peter Lang, 1996.
Notes:

Symposium held on November 1 at the Institut fur Musikanalytik, Wien. Session IV.

Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1996
Complete Citation:
Scholz, Gottfried. “IV. Session: Charles Ives, Three improvisations for piano / Claudia Maurer Zenck, Siegfried Mauser, Marie-Agnes Dittrich, Peter Revers.” In Pluralismus analytischer Methoden. Frankfurt am Main, Germany: P. Lang, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Schonberg, Harold C.

Year: 1958
Complete Citation:
Schonberg, Harold C. “America’s Greatest Composer: The Defiant Life of the Brilliant, Eccentric Charles Ives.” Esquire 50/6 (December 1958): 229-235.
Source: Magazine
VI. Topical Studies
A. Short Biographies and Profiles

Schönlau, Stephan

Year: 2012
Complete Citation:
Schönlau, Stephan. Kompositionstechnik in den Studies für Klavier von Charles Ives. Hamburg, Germany: Diplomica Verlag, 2012.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works