Image
Complete Citation:
Calvert Bean, Jr. “Re: Variations on ‘America.’” Instru-mentalist 24/2 (September 1969): 14.
Bibliography
Genres
Calvert Bean, Jr.
Year: 1969
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Cameron, Catherine M.
Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.Notes:
In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Camus, Raoul F. and Roger Kamien
Year: 1996
Complete Citation:
Camus, Raoul F. and Roger Kamien. “Charles Ives.” In Study guide and student workbook to accompany Kamien Music: an appreciation. New York, NY: Mcgraw Hill, 1996.Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Cardieu, Martine
Year: 1977
Complete Citation:
Cardieu, Martine. “Charles Ives, or America of the ‘First Romance.’” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 238-241. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Carlson, Michael
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes:
“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Carr, Cassandra Irene
Year: 1989
Complete Citation:
Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Carson, Gerald
Year: 1965
Complete Citation:
Carson, Gerald. “The Piano in the Parlor.” American Heritage, December 1965.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Carter, Chandler
Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.Source: Conference Paper
IV. Individual Studies by Genre
E. Songs
E. Songs
Carter, Eilliot
Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Nites.” Modern Music 16 (March-April 1939): 3, 172-176.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliot
Year: 1938
Complete Citation:
Carter, Elliott. “Vacation Novelties, New York.” Modern Music (January-February 1938) 15/2: 97.Notes:
A review of Daniel Gregory Mason’s <i>Abraham Lincoln Symphony </i>
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Carter, Elliot. “Ives Today, His Vision and Challenge.” Modern Music 21/3 (May-June 1944).Source: Journal
Reprints:
Carter, Elliot. “Ives Today, His Vision and Challenge.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard.
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1946
Complete Citation:
Carter, Elliot. “An American Destiny.” Listen (November, 1946): 4-7.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1948
Complete Citation:
Carter, Elliot. “Genial Sage.” In Paul Rosenfeld: Voyager in the Arts, edited by Jerome Mellquist and Lucie Wiese, 163-165. New York, NY: Creative Age Press, 1948.Source: Chapter in Book
Reprints:
Carter, Elliot. “Genial Sage.” In <i>Collected Essays and Lectures, 1937-1995</i>, 306-307. Edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1955
Complete Citation:
Carter, Elliot. “The Rhythmic Basis of American Music.” Score and I.M.A. Magazine 12, June 1955, 27-32.Source: Magazine
Reprints:
Carter, Elliot. “The Rhythmic Basis of American Music.” In <i>Collected Essays and Lectures, 1937-1995</i>, 57-62. Edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1965
Complete Citation:
Carter, Elliot. “Expressionism and American Music.” Perspectives of New Music (Fall-Winter 1965): 1-13.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1975
Complete Citation:
Carter, Elliot. “Documents of a Friendship with Ives.” Parnassus: Poetry in Review, (Spring-Summer 1975).Source: Journal
Reprints:
Carter, Elliot. “Documents of a Friendship with Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1998
Complete Citation:
Carter, Elliot. “Brass Quintet.” In Collected Essays and Lectures, 1937-1995, edited by Jonathan W. Bernard, 256-258. Rochester, NY: University of Rochester Press, 1998.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliot, Charles Rosen, Allen Edwards, and Heinz Holliger
Year: 1992
Complete Citation:
Carter, Elliot, Charles Rosen, Allen Edwards, and Heinz Holliger. Entretiens avec Elliott Carter. Geneva, Switzerland: Éditions Contrechamps,1992.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliott
Complete Citation:
Carter, Elliott. “Charles Ives Remembered.” In Elliott Carter: collected essays and lectures, 1937-1995, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Notes.” Modern Music Vol. 16, No. 3 (March-April 1939): 172-176.Source: Journal
Reprints:
Carter, Elliot. “The Case of Mr. Ives.” <i>Perspectives of New Music</i> Vol. 2, No. 2 (Spring-Summer 1964). * Carter, Elliot. “The Case of Mr. Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers