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Bibliography

Cowell, Henry

Year: 1952
Complete Citation:
Cowell, Henry. “On Programming American Music.” Music Clubs Magazine 31/5 (May 1952): 23.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1954
Complete Citation:
Cowell, Henry. “The Music and Motives of Charles Ives." Center 1 (August-September 1954): 2-5.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1963
Complete Citation:
Cowell, Henry. “Homage to Charles Ives.” In Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters, No. 13 (1963): 263.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Cowell, Henry. Essential Cowell: selected writings on music. Edited by Dick Higgins. Kingston, NY: Documentext, 2001.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cowell, Henry Dixon

Year: 1941
Complete Citation:
Cowell, Henry Dixon. “Dos Estudios: (1) La musica entre los pueblos primitivos; (2) La creacíon musical en los Estados Unidos.” Spanish translation by Francisco Curt Lange. Boletín Latino--Americano de Música 5/5 (October 1941): 105--113.
Notes:

The second essay gives attention to Ives, Ruggles, Crawford, and others.

Source: Journal
VI. Topical Studies
L. Ives and America

Cowell, Sidney

Year: 1990
Complete Citation:
Cowell, Sidney. “The Cowells and the Written Word.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, edited by Richard Crawford, R. Allen Lott, and Carol J. Oja 79-91. Ann Arbor: University of Michigan Press, 1990.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cox, David

Year: 1965
Complete Citation:
Cox, David. “Charles Ives, the First Truly American Composer.” Lis-tener 73 (March 11, 1965): 384.
Notes:

A general article as background for broad- cast of the four violin sonatas. Cites the infamous misquotation of Schoenberg.

Source: Journal
VI. Topical Studies
L. Ives and America

Crane, Frederick

Year: 1982
Complete Citation:
Crane, Frederick. “How Should the Jew’s Harp Part of ‘Washington’s Birth-day' be played?” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 49-57.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Crawford, Richard

Year: 2001
Complete Citation:
Crawford, Richard. “To Stretch Our Ears: The Music of Charles Ives.” In America’s Musical Life: A History, 495-523. New York, NY: W.W. Norton, 2001.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2005
Complete Citation:
Crawford, Richard. “To stretch our ears”: the music of Charles Ives. In America’s musical life: a history. New York, NY: W.W. Norton, 2005.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Crump, Peter

Year: 1965
Complete Citation:
Crump, Peter. “Ives, Then and Now: A Note on Originality and the Establishment.” Composer: The Journal of the Composers' Guild of Great Britain (October 1965) 17: 12-13.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Crunden, Robert M.

Year: 1972
Complete Citation:
Crunden, Robert M. “From Self to Society, 1919-1941.” In Transitions in American Thought Series. Englewood Cliffs, NJ: Prentice-Hall, 1972.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives: The Man and His Music: Charles Ives’ Innovative Nostalgia.” The Choral Journal, vol. 15, no. 4 (1974): 5-12.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives’ Innovative Nostalgia.” The Choral Journal 15/4 (December 1974): 5-12.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1994
Complete Citation:
Crunden, Robert M. A brief history of American culture. New York, NY: Paragon House, 1994.
Source: Book
VI. Topical Studies
L. Ives and America

Crunden, Robert Morse

Year: 1982
Complete Citation:
Crunden, Robert Morse. Ministers of Reform: The Progressives’ Achieve-ment in American Civilization, 1889-1920. New York, NY: Basic Books, 1982.
Source: Book
Reprints:

Crunden, Robert Morse. <i>Ministers of Reform: The Progressives’ Achieve-ment in American Civilization, 1889-1920</i>. Urbana, Illinois: University of Illi-nois Press, 1984.

VI. Topical Studies
A. Transcendentalism or Philosophy

Crutchfield, Will

Year: 1985
Complete Citation:
Crutchfield, Will. “The ‘Concord’ Sonata: An American Masterpiece.” Opus 1, no. 4 (June 1985): 21-22.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Cyr, Gordon

Year: 1971
Complete Citation:
Cyr, Gordon. “Intervallic Structural Elements in Ives’ Fourth Symphony.” Perspectives of New Music 9/2 and 10/1 (1971): 291-303.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1972
Complete Citation:
Cyr, Gordon. "Orchestral Music: by Charles Ives.” Notes, Vol. 29, Issue 2 (December 1972): 319.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Dahlhaus, Carl

Year: 1970-1971
Complete Citation:
Dahlhaus, Carl. “Aussenseiter der Neuen Musik: Charles Ives und Edgard Varese.” In "Bericht über den internationalen Kongreß" Bonn 1970, edited by Carl Dahlhaus, 299. Kassel, Germany: Bärenreiter Verlag, 1971.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers