Image
Complete Citation:
Fenner, Lucie. “Amerikanismen im Werk von Charles Ives: Studien zu Klaviertrio und 2. Klaviersonate.” Thesis, München, Hochschule für Musik und Theater, Zulassungsarbeit, 2001.
Bibliography
Genres
Fenner, Lucie
Year: 2001
Source: Thesis
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Year: 2004
Complete Citation:
Fenner, Lucie. “Einnerung an die College--Jahre. Musikalische Entlehnung in Calcium Light Night und TSIAJ von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 25-49.Notes:
Title translates to “Memories of the College Years: Musical Borrowing in Calcium Light Night and TSIAJ by Charles Ives”
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Ferguson, Donald N.
Year: 1960
Complete Citation:
Ferguson, Donald N. Music as Metaphor. Minneapolis, Minnesota: University of Minnesota Press, 1960.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 1964
Complete Citation:
Ferguson, Donald N. Image and Structure in Chamber Music, 323-324. Minne-apolis, MN: University of Minnesota Press, 1964.Notes:
Provides listing of Ives’s major chamber works with extremely brief remarks.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Fernández, Anouska Antúnez
Year: 2005
Complete Citation:
Fernández, Anouska Antúnez. “Ives y Beethoven en Clave Postmoderna: Análisis e Interpretación en el Siglo XXI.” Revista De Musicología, vol. 28, no. 2 (2005): 1435-1447.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Ferrari, Giordano
Year: 2002
Complete Citation:
Ferrari, Giordano. “Le «Populaire» Comme Matériau Pour L’innovation Musicale: Satie, Milhaud, Ives.” Musurgia, vol. 9, no. 1 (2002): 61-74.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ferris, William R. and Mary L. Hart
Year: 1982
Complete Citation:
Ferris, William R. and Mary L. Hart. “Charles Ives: Victorian gentleman or American folk hero?” In Folk music and modern sound. Jackson: University Press of Mississippi, 1982.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Field, Corey
Year: 1984
Complete Citation:
Corey Field. “Charles Ives, James Joyce, and the General Slocum.” Keynote: A Magazine for the Musical Arts 8/8 (October 1984): 8-13.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Fiender, Reinhard
Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Fink, Lea
Year: 2011
Complete Citation:
Fink, Lea. “Identitäts(Er)Findung Der Amerikanischen Musikgeschichte: Charles Ives.” In Identität - Alterität - Musik, Vol. 4, edited by Annegret Huber et al., 83-98. Vienna, Austria: Hollitzer Verlag, 2011.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Finkelstein, Sydney
Year: 1960
Complete Citation:
Finkelstein, Sydney. Composer and Nation: The Folk Heritage of Music, 237-243. London, United Kingdom: Lawrence & Wishart, 1960.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Finn, Geraldine
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Fischer, Fred
Year: 1975-1976
Complete Citation:
Fischer, Fred. “Ives' Concord Sonata.” PQ 92 (1975-1976): 23-27.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1981
Complete Citation:
Fischer, Fred. Ives’ Concord Sonata. Denton, Texas: C-G Productions, 1981.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Fischlin, Daniel
Year: 2011
Complete Citation:
Fischlin, Daniel. ““A Door to Other Doors”: Henry Threadgill Interview with Daniel Fischlin.” Critical Studies in Improvisation, Vol. 7, No. 2 (2011).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Fisher, Fred
Year: 1975
Complete Citation:
Fred Fisher. “Ives and Schoenberg: The Impulse to Greatness.” Connecticut Review VIII/2 (April 1975): 82-88.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975-76
Complete Citation:
Fisher, Fred. “Ives's Concord Sonata.” Piano Quarterly 92 (1975-1976): 23-27.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1976
Complete Citation:
Fisher, Fred. “What’s the Music of Charles Ives All About?” Cimarron Review 37 (October 1976): 58-63.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Fisher, Fred. Ives’ Concord Sonata. Denton, TX: C/G Productions, 1981.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works