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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Green, Douglass M.

Year: 1978
Complete Citation:
Green, Douglass M. “A Chord Motive in Ives’s ‘Serenity.’” In Theory Only Vol. 4, No. 5 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1978
Complete Citation:
Green, Douglass M. “Exempli gratia: A Chord Motive in Ives’s Serenity.” In Theory Only 4 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Greenberg, Robert

Year: 2004
Complete Citation:
Greenberg, Robert. “Lecture 19: Charles Ives.” In The Symphony. Chantilly, VA: Teaching Company, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Greenfield, Edward

Year: 1959
Complete Citation:
Greenfield, Edward. “Charles Ives and Aaron Copland.” The Guardian, September 5, 1959, 5.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Gresser, Clemens

Year: 2009
Complete Citation:
Gresser, Clemens. “Besprechungen: Gregor Herzfeld “Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young.”” Musiktheorie, Vol. 24, No. 4 (2009): 375-379.
Source: Journal (article review/response)
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Grill, Stanley

Year: 1982
Complete Citation:
Grill, Stanley. “A language so transcendent: an analysis of style and content in the songs of Charles Ives.” New York, NY: Stanley Grill, 1982.
Source: Book
IV. Individual Studies by Genre
E. Songs

Grimes, Ev, and Nicolas Slonimsky

Year: 1986
Complete Citation:
Grimes, Ev, and Nicolas Slonimsky. “Conversations with American Composers: Ev Grimes Interviews Nicolas Slonimsky.” Music Educators Journal, vol. 72, no. 7 (1986): 40-43.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Grimes, William

Year: 1994
Complete Citation:
Grimes, William. “Artists’ Insurance Policies Tell All.” The New York Times, February 5, 1994.
Source: Newspaper
VI. Topical Studies
D. Insurance

Grover, Sharon, and Lizette D. Hannegan

Year: 2005
Complete Citation:
Grover, Sharon, and Lizette D. Hannegan. “What Charlie Heard.” Book Links 14, no. 5, 2005: 18.
Source: Magazine
VI. Topical Studies
N. Ives’ Childhood

Gruhn, Wilfried

Year: 1989
Complete Citation:
Gruhn, Wilfried. “Die Bedeutungskonstitution in textgebundener Musik: Ansatze zu einer strukturellen Hermeneutik präsentativer Symbole.” In Wort und Ton im Europaischen Raum: Gedenkschrift fur Robert Scholium, 23-40. Edited by Hartmut Krones. Wien, Austria: Böhlau Verlag, 1989.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Grunfeld, Frederic

Year: 1954
Complete Citation:
Grunfeld, Frederic. “Charles Ives: Yankee Rebel.” High Fidelity 4, no. 9 (November 1954): 34-36, 103, 105, 107-108.
Source: Journal
VI. Topical Studies
L. Ives and America

Gunden, Heidi von

Year: 1983
Complete Citation:
Gunden, Heidi von. The Music of Pauline Oliveros, 147. Metuchen, NJ: Scarecrow Press, 1983.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Haefeli, Toni

Year: 1998
Complete Citation:
Haefeli, Toni. “Berichte: Opernbetrieb versus Absolute Musik.” Dissonanz (1998): 30-31.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Hahn, Hilary

Year: 2011
Complete Citation:
Hahn, Hilary. “Masterclass: Ives’ Violin Sonata No. 4, second movement.” The Strad, Vol. 122 (2011): 86-89.
Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works

Hair, Ross

Year: 2011
Complete Citation:
Hair, Ross. “‘Local Color’: Ronald Johnson, Charles Ives, and America.” Comparative American Studies an International Journal: Idea of Influence in American Literature, vol. 9, no. 2 (2011): 131-145.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hale, William

Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hall, David

Year: 1965
Complete Citation:
Hall, David. “Premiere and Cultural Turning Point: Charles Ives’ Fourth Symphony: An Account of the History and Preparation of the Score, the Problematic Rehearsals, and the First Performance of an Almost Legendary Work.” HiFi/Stereo Review Review, July 1965), 55-58.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1967
Complete Citation:
Hall, David. “Review of Ives’ Choral Music, vol. I.” Hi-fi/Stereo Review, Vol. 18 (January 1967).
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Hall, Fred M. and Gene Lees

Year: 1996
Complete Citation:
Hall, Fred M. “Time to Expand Horizons.” In It's About Time: The Dave Brubeck Story, 126-142. Fayetteville, AR: University of Arkansas Press, 1996.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hall, James Husst

Year: 1953
Complete Citation:
Hall, James Husst. “The Later American School.” In The Art Song, 284-287. Norman, OK: University of Oklahoma Press, 1953.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs