Bibliography

Helms, Hans G.

Year: 1978

Complete Citation:

Helms, Hans G. “Berichte: Charles Edward Ives-idealer Amerikaner oder Sozialkritiker? Zum Ives-Jahr.” Beiträge zur Musikwissenschaft, Vol. 20, No. 1 (1978): 16.

Source: Journal

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Henahan, Donal

Year: 1970

Complete Citation:

Henahan, Donal . “He Made Composing Respectable Here.” The New York Times. November 8, sec. 2: 17, 20.

Notes:

“Copland had done what nobody, not even Ives or MacDowell before him, had accomplished. He made com-posing in America respectable and made it pay too.” Quotes Copland about Ives 114 Songs. Questions Virgil Thom-son’s assessment.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1975

Complete Citation:

Henahan, Donal. “Ravel: Charles Ives and His America.” The New York Times, November 30, 1975, 291.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1986

Complete Citation:

Henahan, Donal. “Maverick Composers Make Their Own Choices.” New York Times. December 14, 1986: sec. 2, 25.

Source: Newspaper

VI. Topical Studies
A. Transcendentalism or Philosophy

Year: 1986

Complete Citation:

Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.

Notes:

Response to “Who Owns American Music?”

Source: Newspaper

VI. Topical Studies
S. Reception Studies and Related Scholarship

Year: 1988

Complete Citation:

Henahan, Donal. “Did Ives Fiddle With the Truth?”- The New York Times, February 21, 1988.

Source: Newspaper

VI. Topical Studies
C. Chronology

Year: 1990

Complete Citation:

Henahan, Donal. “The Polysided Views of Ives’s Polytonality.” The New York Times. June 10, 1990.

Source: Newspaper

VI. Topical Studies
F. Polytonality

Henahan, Donald

Year: 1974

Complete Citation:

Henahan, Donald. “Composers Uncommemorated.” The Atlanta Constitution, July 6, 1974, 6T.

Source: Newspaper

VI. Topical Studies
S. Reception Studies and Related Scholarship

Year: 1981

Complete Citation:

Henahan, Donald. “Wave Your Banner! Sound Your Trumpet! (If You Want Your Favorite Composer to Achieve Immortality and Become the Next Mahler or Ives).” The New York Times, February 8, 1981, sec. 2, 1, 25.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Henck, Herbert

Year: 1980

Complete Citation:

Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.

Source: Chapter in Book

IV. Individual Studies by Genre
C. Keyboard Works

Year: 1980

Complete Citation:

Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.

Source: Journal

IV. Individual Studies by Genre
C. Keyboard Works

Year: 1982

Complete Citation:

Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.

Source: Journal

IV. Individual Studies by Genre
C. Keyboard Works

Year: 1983

Complete Citation:

Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ “Study No. 20.”” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.

Source: Chapter in Book

Reprints:

Henck, Herbert. "Aus zweiter Hand: Charles E. Ives' 'Study No. 20.' Review of Study No. 20 by Charles Ives.]"Neuland 3 (1982-83): 242.

IV. Individual Studies by Genre
C. Keyboard Works

Year: 1988

Complete Citation:

Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.

Source: Festival Booklet

IV. Individual Studies by Genre
C. Keyboard Works

Year: 1992

Complete Citation:

Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.

Notes:

Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).

Source: Chapter in Book

IV. Individual Studies by Genre
C. Keyboard Works

Year: 2004

Complete Citation:

Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.

Source: Book

VI. Topical Studies
R. Performance Approaches

Year: 2004

Complete Citation:

Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.

Source: Chapter in Book

IV. Individual Studies by Genre
C. Keyboard Works

Henderson, Clayton W.

Year: 1974

Complete Citation:

Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.

Source: Journal

VI. Topical Studies
B. Musical Quotation or Borrowing

Henerson, Clayton Wilson

Year: 1974

Complete Citation:

Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.

Source: Chapter in Book

VI. Topical Studies
B. Musical Quotation or Borrowing

Hepokoski, James

Year: 1994

Complete Citation:

Hepokoski, James. “Temps Perdu. Revolutionary or Reactionary?” Musical Times 135 (1994): 746-751.

Source: Journal

VI. Topical Studies
G. Music Theory Analyses

Bibliography

Genres

Helms, Hans G.

Henahan, Donal

Henahan, Donald

Henck, Herbert

Henderson, Clayton W.

Henerson, Clayton Wilson

Hepokoski, James