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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Low, Ruth

Year: 1961
Complete Citation:
Low, Ruth. “Danbury Boyhood Marks Music of Charles Ives.” Danbury News-Times, April 14, 1961, 8.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood

Lucier, Alvin

Year: 2012
Complete Citation:
Lucier, Alvin. “Music 109: notes on experimental music.” Middletown, Connecticut: Wesleyan University Press, 2012.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Lück, Hartmut

Year: 1980
Complete Citation:
Luck, Hartmut. “Provokation und Utopie: ein Portrat des amerikanischen Komponisten Charles Edward Ives.” Neuland 1 (1980): 3-15.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Luck, Hartmut

Year: 2004
Complete Citation:
Luck, Hartmut. “Visionen einer andern Wirklichkeit: Die symphonischen Werke von Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 123-137. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lyles, Jean Caffey

Year: 1976
Complete Citation:
Lyles, Jean Caffey. “Charles Ives’s America.” Christian Century 93 (June 23, 1976): 589-591.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Lyle, Wilson

Year: 1985
Complete Citation:
Lyle, Wilson. Dictionary of Pianists, 140, 151, 183. New York, NY: Schirmer Books, 1985.
Notes:

p. 151: the first performance of Ives's Concord Sonata by John Kirkpatrick. p. 183 the first performance of Ives’s Sonata No. 1 by William Masselos.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Lyman, Zachary

Year: 2010
Complete Citation:
Lyman, Zachary. “Realizing Ives's Universe Symphony: An Interview with Johnny Reinhard.” American Music, vol. 28, no. 4, (2010): 459-480.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lyman, Zachary and Larry Austin

Year: 2008
Complete Citation:
Lyman, Zachary, and Larry Austin. “Completing Ives's Universe Symphony: An Interview with Larry Austin.” American Music, vol. 26, no. 4 (2008): 442-473.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lyons, Len

Year: 1983
Complete Citation:
Lyons, Len. The Great Jazz Pianists: Speaking of Their Lives and Music, 298. New York, NY: William Morrow, 1983.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Mabry, Sharon

Year: 1989
Complete Citation:
Mabry, Sharon. “New Directions: Contemporary Chamber Works.” NATS Journal 45/3 (January-February 1989): 44.
Notes:

Discussion of Sunrise.

Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

MacClendon, James W.

Year: 2002
Complete Citation:
MacClendon, James W. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as theology: how life stories can remake today's theology. Eugene, OR: Wipf and Stock Publishers, 2002.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

MacDonald, Calum

Year: 1996
Complete Citation:
MacDonald, Calum. “Memos and Premonitions and Chronology.” The Unanswered Question Festival; January 19 to 21: London.
Source: Festival Lecture
VI. Topical Studies
C. Chronology

Mack, Dieter

Year: 1994
Complete Citation:
Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Mackerness, Eric

Year: 1949
Complete Citation:
Mackerness, Eric. “Aspects of American Life.” Music Survey (Autumn 1949) 2/2: 91-95.
Source: Journal
VI. Topical Studies
L. Ives and America

MacLeod, Lynne L.

Year: 1993
Complete Citation:
MacLeod, Lynne L. “Ragtime and Classical Keyboard.” Mississippi Rag 20 (October 1993): 10-11.
Notes:

Discusses works by Ives, Debussy, Gruen- berg, Hindemith, Satie, Sousa, and Stravinsky.

Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Magee, Gayle

Year: 2019
Complete Citation:
Magee, Gayle. “‘Every Man in New York’: Charles Ives and the First World War.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by Gayle Sherwood Magee, et. al., 37-57. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Magers, Roy V.

Year: 1977
Complete Citation:
Magers, Roy V. “Charles Ives’s Optimism: or, The Program’s Progress.” In Music in American Society, 1776-1976: from Puritan Hymn to Synthesizer, edited by George McCue, 73-86. New Brunswick, NJ: Transaction Books, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Maisel, Arthur

Year: 1981
Complete Citation:
Maisel, Arthur. “The ‘Fourth of July’ by Charles Ives. Mixed Harmonic Criteria in a 20th-Century Classic.” Theory and Practice VI (1981): 3-32.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Maisel, Edward M.

Year: 1943
Complete Citation:
Maisel, Edward M. Charles T. Griffes. New York, New York: Alfred A. Knopf Co., 1943.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Malone, Andrew Lindemann

Year: 2005
Complete Citation:
Malone, Andrew Lindemann. “Opening Chorus: Hearsay - Jamie Baum.” JazzTimes: America’s Jazz Magazine, Vol. 35, No. 1 (2005): 37.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing