Image
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.
Bibliography
Genres
Meyer, Felix
Year: 2003
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Meyer, Leonard B.
Year: 1957
Complete Citation:
Meyer, Leonard B. Emotion and Meaning in Music. Chicago, Illinois: The University of Chicago Press, 1957.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 1967
Complete Citation:
Meyer, Leonard B. Music, the Arts, and Ideas: Patterns and Predic-tions in Twentieth -Century Culture, 200. Chicago, IL: University of Chicago Press, 1967.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Middleton, Richard
Year: 1974
Complete Citation:
Middleton, Richard. “Ives and Schoenberg: An English View.” Saturday Review World, September 21, 1974, 39-41.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mihura, Brian L.
Year: 1982
Complete Citation:
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Mikhashoff, Yvar
Complete Citation:
Mikhashoff, Yvar. A thematic survey of the first movement (Emerson) of the Sonata no. 2, “Concord, Mass. 1840-1860” of Charles Ives. Unpublished manuscript. Yvar Mikhashoff Papers. Mss. 10, Folder 6. Music Library, University at Buffalo. 198?.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Miller, Fred
Year: 1969
Complete Citation:
Miller, Fred. “Ives was a Salesman.” The New York Times, September 28, 1969, D40.Source: Newspaper
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Miller, Kenneth E.
Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.Notes:
Discusses When Stars Are in the Quiet Skies.
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Miller, Leta E.
Year: 2006
Complete Citation:
Miller, Leta E. “Henry Cowell and John Cage: Intersections and Influences, 1933-1941.” Journal of the American Musicological Society, vol. 59, no. 1 (2006): 47-112.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Miller, Leta E., and Rob Collins
Year: 2005
Complete Citation:
Miller, Leta E., and Rob Collins. 2005. “The Cowell--Ives Relationship: A New Look at Cowell's Prison Years.” American Music 23, no. 4 (Winter 2005): 473-492.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Miller, Sarah Bryan
Year: 1999
Complete Citation:
Miller, Sarah Bryan. “The Century’s Composers of Note.” St. Louis Post-Dispatch [Arts & Entertainment] (August 1, 1999): 1-2.Notes:
An alphabetical chart to accompany the writer's article “Assessing Classical Music of the 20th Century.” Chooses The Unanswered Question and Three Places in New England. No mention of Ives in the article.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 2004
Complete Citation:
Miller, Sarah Bryan. “Quintessential American Artists.” St. Louis Post- Dispatch. July 4, 2004, sec. E: 5.Notes:
Various editors chose important artists in sev-eral fields. The classical music editor chose Ives as one of two classical composers in a collective article. [The other chosen was opera com- poser Carlisle Floyd.]
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Milligan, Terry G.
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Yale.” Journal of Band Research 19/2 (Spring 1984): 39-50.Source: Journal
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Milligan, Terry Gilbert
Year: 1982
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: A Survey of the Works for Chamber Ensemble Which Utilize Wind Instruments.” Journal of Band Research 18, no. 1 (Fall 1982): 60-68.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Mogill, Kenneth M.
Year: 1987
Complete Citation:
Mogill, Kenneth M. “Some reflections on the relationship between the jury system, truth and Charles Ives.” Cooley Law Review (September 1, 1987).Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Moldenhauer, Hans
Year: 1979
Complete Citation:
Moldenhauer, Hans. Anton von Webern: A Chronicle of His Life and Work, 379, 671. New York, NY: Alfred A. Knopf, 1979.Notes:
Reproduces the program of an American music concert—1932 February 21—on which songs by Ives, Copland, and Caturla were performed by Ruzena Herlinger and either Paul A. Piskor or Eric Simon, piano. Cites a letter in the Moldenhauer Archives from Ives to Adolph Weiss suggesting Schoenberg, Berg, and Webern as “Honorary European-American” for the honorary board of directors of the Pan American Association of Composers (671).
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Moldenhauer, Hans, and Rosaleen Moldenhauer
Year: 1979
Complete Citation:
Moldenhauer, Hans, and Rosaleen Moldenhauer. Anton von Webern: Chronik seines Lebens und Werkes. Zurich, Switzerland: Atlantis Verlag, 1979.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Monelle, Raymond and Robert Hatten
Year: 2000
Complete Citation:
Monelle, Raymond and Robert Hatten. “Allegory and Deconstruction.” In The Sense of Music: Semiotic Essays, 196-226. Princeton, NJ: Princeton University Press, 2000.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions