Musgrave, Thea
Year: 1973
Complete Citation:
Musgrave, Thea. “A New Viola Concerto.” The Musical Times 114/1566 (1973): 790-791.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mussulman, Joseph A.
Year: 1979
Complete Citation:
Mussulman, Joseph A. Dear People ... Robert Shaw: A Biography. Bloomington, IN: Indiana University Press, 1979.Notes: Relates the story of the per-formance of Harvest Home Chorales and Psalm 67 (1948 April), with Shaw's letter to the Collegiate Chorale members about the difficulty of the music and Mrs. Ives's letter to Shaw; lists Ives as a donor to the New Friends of Music, supporters of the Collegiate Chorale (76-78); tells of performing the middle section of Psalm 90: "Teach us to num-ber our days,"on the 1967 tour of the Robert Shaw Chorale, as an en- core in Chicago's Orchestra Hall (163). In Chapter 10, "The Second Battle of Atlanta," there is much discussion of Shaw's choosing to per- form contemporary music and the conflicts that caused with the [Atlan-ta] Symphony [Orchestra] Board of Sponsors. "Of the nearly one hund-red titles on the [orchestra's] combined Romantic and Subscription series, only thirty-four belonged chronologically to the twentieth- century. But fourteen of them, plus two dated before 1900, bore the one name that could itself evoke in timid ears an insufferable din, and in tightly closed minds a most delicious loathing: Charles Ives!" (223).
Source: Book
Reprints: Mussulman, Joseph A. <i>Dear People ... Robert Shaw: A Biography</i>. Chapel Hill, NC: Hinshaw Music, 1996.
IV. Individual Studies by Genre
D. Choral Works
Myler, Derek J.
Year: 2019
Complete Citation:
Myler, Derek J. “Charles Ives and Techniques of Choral Narrative: Exploring Three Harvest Home Chorales.” The Choral Journal, vol. 59, no. (2019): 8-29.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Myrick, Julian S.
Year: 1930
Complete Citation:
Myrick, Julian S. “What the Business Owes to Charles E. Ives.” Eastern Underwriter, Life Insurance Salesmanship Edition (September 19, 1930): 18.Source: Journal
VI. Topical Studies
D. Insurance
Nagano, Kent
Year: 2019
Complete Citation:
Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, and John Kirkpatrick
Year: 1977
Complete Citation:
“On performing the Violin Sonatas (Diskussion with Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, John Kirkpatrick).” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 127-140. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Nardi, Gregorio
Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.Source: Journal
VI. Topical Studies
R. Performance Approaches
Nardolillo, Jo
Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 2 for Violin and Piano.” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 4 “Children's Day at Camp.”” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Nathan, Hans
Year: 1960
Complete Citation:
Nathan, Hans. “The Modern Period—United States of America.” In A History of Song, edited by Denis Stevens, 431-437. New York, NY: W.W. Norton, 1960.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Nattiez, Jean-Jacques
Year: 1990
Complete Citation:
Nattiez, Jean-Jacques. 1990. “Can One Speak of Narrativity in Music?” Translated by Katharine Ellis. Journal of the Royal Musical Association 115/2 (1990): 240--257.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Nelson, Mark Douglas
Year: 1984
Complete Citation:
Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Neumann, Friedrich
Year: 2010
Complete Citation:
Neumann, Friedrich. “Short Music Story: Charles Ives: Eine Frage ist besser als eine Antwort.” Musik and Bildung: Praxis Musikerziehung, Vol. 42, No. 2 (2010): 64-67.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Newman, Philip Edward
Year: 1967
Complete Citation:
Newman, Philip Edward. “The Songs of Charles Ives,” Ph.D. diss., University of Iowa, 1967.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs
Newman, Ron
Year: 1985
Complete Citation:
Newman, Ron. “Ragtime Influences in the Music of Charles Ives.” Jazz Research Papers 5 (1985): 145-156.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Nicholls, David
Year: 1990
Complete Citation:
Nicholls, David. “In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954).” In American Experimental Music: 1890-1940, 5-88. Cambridge, United Kingdom: Cambridge University Press, 1990.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 1990
Complete Citation:
Nicholls, David. American Experimental Music 1890-1940. Cambridge, UK: Cambridge University Press, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable Answers.” Music and Utters 75/2 (May 1994): 246-252.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Nicholls, David. “Transethnicism and the American Experimental Tradi-tion.” Musical Quarterly 80 (Winter 1996): 569-594.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2011
Complete Citation:
Nicholls, David. “‘The Unanswered Question of Her Son’s Biography’: New Thoughts on Mollie Ives.” Journal of the Society for American Music 5.1 (February 2011): 95-111.Source: Journal
VI. Topical Studies
N. Ives’ Childhood