Phelps, Thomas
Year: 2004
Complete Citation:
Phelps, Thomas. “Manner, Muskeln, Diskussionen. Zum 2. Streich-quartett.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 85-105. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Piekut, Benjamin
Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Pincus, Andrew L.
Year: 1985
Complete Citation:
Pincus, Andrew L. “Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985.Source: Newspaper
VI. Topical Studies
L. Ives and America
Piotrowska, Anna G.
Year: 2003
Complete Citation:
Piotrowska, Anna G. Idea muzyki narodowej w ujęciu kompozytorów amerykańskich pierwszej połowy XX wieku. Toruń, Poland: Adam Marszałek, 2003.Source: Book
VI. Topical Studies
L. Ives and America
Pleasants, Henry
Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1969
Complete Citation:
Pleasants, Henry. Serious Music: And All That Jazz: An Adventure in Music Criticism. New York, NY: Simon and Schuster, 1969.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Pohly, Linda
Year: 1995
Complete Citation:
Pohly, Linda. “Alleluia! Sacred Choral Music in New England.” American Music 13, no. 1 (Spring 1995): 124-126.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Pollack, Howard
Year: 1999
Complete Citation:
Pollack, Howard. Aaron Copland: The Life and Work of an Uncommon Man. New York, NY: Henry Holt and Co., 1999.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Pollack, Howard. George Gershwin: His Life and Work. Berkeley, CA: University of California Press, 2006.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Porter, Andrew
Year: 1974
Complete Citation:
Porter, Andrew. “Songs His Father Taught Him.” New Yorker 50/37, November 4, 1974, 187-190.Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
Porter, Cecelia
Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Porter, David
Year: 1998
Complete Citation:
Porter, David. “Reconstructing the Emerson Concerto.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints: “Reconstructing the Emerson Concerto.” College Music Symposium (1999) 39: 27--42.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2011
Complete Citation:
Porter, David. “On the Divide: A Classicist/Musician Who Refused to Grow Up.” The Classical World, vol. 104, no. 4 (2011): 475-481.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Porter, David G.
Year: 1998
Complete Citation:
Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.Source: Unpublished commentary.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Porter, David Gray
Year: 1980
Complete Citation:
Porter, David Gray. “The Third Orchestral Set of Charles Edward Ives.” M.A. thesis, California State University, Fullerton, 1980.Source: M.A. Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Porter, David H.
Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Potter, Hugh
Year: 1970
Complete Citation:
Potter, Hugh. “Paul Rosenfeld: Criticism and Prophesy.” American Quarterly 22/1 (Spring 1970): 82-94.Notes: Quotes from Rosenfeld's review of the Concord Sonata. Adds that “Rosenfeld's great enthusiasm for the music of Charles Ives was partly attributed to Ives’ interest in American subject matter and his use of native themes.”
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Pouzzi, Raffaele, and Louise Forster
Year: 1988
Complete Citation:
Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Pozzi, Raffaele
Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Prendergast, Mark J.
Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
