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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Reinhard, Johnny

Year: 2005
Complete Citation:
“Extended Pythagorean Tuning.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.
Notes:

Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.

Source: Online article
VI. Topical Studies
G. Music Theory Analyses
Year: 2005
Complete Citation:
Reinhard, Johnny. “Charles Ives's Approach to Intonation.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.
Source: Online article
VI. Topical Studies
R. Performance Approaches

Repertoire & Standards National Committee, and Barbara Tagg

Year: 2003
Complete Citation:
Repertoire & Standards National Committee and Barbara Tagg. “Resources: Books, Articles, Organizations and Web Sites Related to American Choral Music.” The Choral Journal 43/8 (2003): 57-71.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Repertoire & Standards National Committee Chairs

Year: 2003
Complete Citation:
Repertoire & Standards National Committee Chairs. “Selected American Choral Repertoire.” The Choral Journal, vol. 43, no. 8 (2003): 49-54.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Rescigno, Eduardo

Year: 1967
Complete Citation:
Rescigno, Eduardo. “Ascoltando il disco: [Charles Edward Ives] Holi-days Symphony.” La Musica Moderna 1/26 (1967): 158--160.
Notes:

Discussion of “A Symphony: New England Holidays” for the inserted recording.

Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Retallack, Joan, ed.

Year: 1995
Complete Citation:
Retallack, Joan, ed. Musicage: Cage Muses on Words, Art, Music, 283. Hanover, NH: University Press of New England, 1995.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reti, Rudolph

Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.
Notes:

Discusses Con-cord Sonata and Symphony No. 4.

Source: Book
Reprints:

Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.

IV. Individual Studies by Genre
C. Keyboard Works

Rexroth, Dieter

Year: 1979
Complete Citation:
Rexroth, Dieter. Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik. Mainz, Germany: Schott, 1979.
Source: Book
VI. Topical Studies
L. Ives and America
Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Reynolds, Roger, Charles Dodge, Lou Harrison, Salvatore Martirano, and Gordon Mumma

Year: 1977
Complete Citation:
Reynolds, Roger, Charles Dodge, Lou Harrison, Salvatore Martirano, and Gordon Mumma. “Five Composers’ Views.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 187-208. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ribakove, Seymour L.

Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Rice, Philip

Year: Year unlisted
Complete Citation:
Rice, Philip. “Minority Mind: Reconstructing Charles Ives in the Postmodern Age.” Academia. www.academia.edu/5846350/Minority_Mind_Reconstructing_Charles_Ives_in_the_Postmodern_Age.
Source: Online article
VI. Topical Studies
S. Reception Studies and Related Scholarship

Rich, Alan

Year: 1995
Complete Citation:
Rich, Alan. American Pioneers: Ives to Cage and Beyond. London, United Kingdom: Phaidon, 1995.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Richardson, Paul Akers

Year: 1979
Complete Citation:
Richardson, Paul Akers. “A Guide for the Study of Solo Song Literature in the English Language by Selected Composers of the Twentieth Century.” Ph.D. diss., The Southern Baptist Theological Seminary, 1979.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs

Rickey, Carrie

Year: 1978
Complete Citation:
Rickey, Carrie. “Fashion/Style/Custom: Alan Cote and David Diao.” Artforum 17 (October 1978): 30-34.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ridley, Aaron

Year: 2004
Complete Citation:
Ridley, Aaron. The Philosophy of Music: Theme and Variations. Edin-burgh, Scotland: Edinburgh University Press, 2004.
Notes:

Central Park in the Dark is cited in Chapter 1, "Understanding": 20-21, 41-44.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Riedel, Johannes

Year: 1970
Complete Citation:
Johannes Riedel. “Ives and Church Music.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, May 15, 1970.
Source: Lecture
VI. Topical Studies
K. Stylistic Influences on Ives

Riegger, Wallingford

Year: 1939
Complete Citation:
Riegger, Wallingford. “To the New Through the Old.” Magazine of AH 32, 8 (August 1939): 491-492.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Riesman, David

Year: 1950
Complete Citation:
Riesman, David. The Lonely Crowd: A Study of the Changing American Character, 287-288, 324-325. New Haven, CT: Yale University Press, 1950.
Source: Book
VI. Topical Studies
L. Ives and America

Riggs, Krista

Year: 2006
Complete Citation:
Riggs, Krista. “Articles: The Twentieth Century American Oboe Concerto: Something Old, New, Borrowed, and Blue.” The Double Reed, Vol. 29, No. 1 (2006): 59-74.
Source: Journal
VI. Topical Studies
L. Ives and America