Image
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.
Bibliography
Genres
Tryon, Winthrop P.
Year: 1924
Source: Newspaper
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folk Song and Hymn Tunes of America.” Christian Science Monitor, November 29, 1924, 18.Source: Newspaper
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1925
Complete Citation:
Tryon, Winthrop P. “Quarter-Tone Experiments.” Christian Science Monitor, February 7, 1925, 8.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1927
Complete Citation:
Tryon, Winthrop P. “Of Ives and Others.” Christian Science Monitor, February 3, 1927.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tucker, Mark
Complete Citation:
Tucker, Mark. “Of Men and Mountains: Ives in the Adirondacks.” In Ives and His World, edited by J. Peter Burkholder, 161-198. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Tyler, Charles Ives
Year: 1977
Complete Citation:
Tyler, Charles Ives. “Charles Ives.” Piano Today 17/3 (1977): 8, 10, 54.Notes:
Part of a pair of articles entitled “American Transcendentalism: Two Compos-ers in the Pioneer Tradition.” Reminiscences by Charles Ives's grand- son about how Ives disliked milk. [The other article is “Ruth Crawford Seeger” by Judith Tick.]
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1997
Complete Citation:
Tyler, Charles Ives. “American Transcendalists: Two Composers in the Pioneer Tradition-Charles Ives.” Piano Today, Vol. 17, No. 3 (1997): 8, 10, 54.Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Ulrich, Homer
Year: 1952
Complete Citation:
Ulrich, Homer. Symphonic Music: Its Evolution since the Renaissance. New York, NY: Columbia University Press, 1952.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Unger, Clive
Year: 1983
Complete Citation:
Unger-Hamilton, Clive, ed. The Great Symphonies, edited by Clive, 137, 138, 141, 209. New York, NY: Facts on File, 1983.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Unlisted author
Year: 1943
Complete Citation:
“To Continue Ives and Myrick Name.” The Eastern Underwriter (January 23, 1943): 3.Source: Journal
VI. Topical Studies
D. Insurance
D. Insurance
Upton, William Treat
Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Usmanbas, Ilhan
Year: 1977
Complete Citation:
Usmanbas, Ilhan. “Random-and Provocative Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 254-256. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Utz, Christian
Year: 2005
Complete Citation:
Utz, Christian. “Bernd Alois Zimmermann und Charles Ives: Schichtungsverfahren, Intertextualität, kulturelle Verotung.” In Bernd Alois Zimmermann, Zeitauffassung und musikalische Poetik. Munich, Germany: Edition Text + Kritik, 2005.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Van Vechten, Carl
Year: 1917
Complete Citation:
Van Vechten, Carl. “The Great American Composer.” Vanity Fair. April 1917.VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Velten, Klaus
Year: 1981
Complete Citation:
Velten, Klaus. “Der Kunstler und die Natur-ein Interpretationsbeitrag zum Liebschaffen von Charles Ives.” Musik und Bildung: Zeitschrift 13 (September 1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Velten, Klaus. “Der Künstler und die Natur. Ein Interpretationsbeitrag zum Liebschaften von Charles Ives.” Musik und Bildung 13 (1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Vermeulen, Ernst
Year: 1968
Complete Citation:
Vermeulen, Ernst. “Compositions by Louis Andriessen and Peter Schat Incorporating Quotations.” Sonorum Speculum (Summer 1968) 35: 1-12.Notes:
Compares quotations by Louis Andriessen and Peter Schatt with some aspects of Ives’s use of quotation. In English and in Dutch.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers