Harbaum, Darrell
Year: 1991
Complete Citation:
Harbaum, Darrell. “Style Traits and Compositional Techniques as Found in the Symphonies.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Harding, Walter
Year: 1947
Complete Citation:
Harding, Walter. “Thoreau and Music.” Thoreau Society Bulletin 18 (January 1947): 2.Source: Bulletin
Reprints: Harding, Walter. “Thoreau and Music.” <i>Thoreau Society Bulletin</i>, Numbers 1-100 (Fall 1941-Summer 1967 Summer). New York, NY: Johnson Reprint Corp., 1970.
VI. Topical Studies
A. Transcendentalism or Philosophy
Harding, Walter, editor
Year: 1971
Complete Citation:
“Thoreau: Nature’s Musician.” In Henry David Thoreau: A Profile, edited by Walter Harding. American Profiles Series. New York: Hill and Wang, 1971: 105-120.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Harding, Walter, George Brenner, and Paul A. Doyle, eds.
Year: 1972
Complete Citation:
Harding, Walter, George Brenner, and Paul A. Doyle, eds. Henry David Thoreau: studies and commentaries. Rutherford, NJ: Fairleigh Dickinson University Press, 1972.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Hardin, Walter
Year: 1959
Complete Citation:
Harding, Walter. “Thoreau’s Fame.” In A Thoreau Handbook. New York, NY: New York Univer-sity Press, 1959.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Harris, Roger
Year: 1979
Complete Citation:
Harris, Roger. “Review of The Celestial Country.” Music and Musicians 27, no. 10 (June 1979): 64+.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Harrison, Lou
Year: 1954
Complete Citation:
Harrison, Lou. “On Ives's First Piano Sonata.” In Charles E. Ives First Sonata For Piano. New York, NY: Peer International Corporation, 1954.Source: Score
Reprints: Harrison, Lou. “On Ives's First Piano Sonata.” In <i>Charles E. Ives First Sonata For Piano</i>, ii. Revised edition. New York, NY: Peer International Corporation, 1954.
IV. Individual Studies by Genre
C. Keyboard Works
Hartman, James B.
Year: 2004
Complete Citation:
Hartman, James B. “Alternative Organists.” The Diapason, Vol. 95, No. 7 (2004): 20-22.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Harvey, Mark Sumner
Year: 1989
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Religion.” Soundings 72/2-3 (Summer-Fall 1989): 501-525.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Haskell, Harry
Year: 1996
Complete Citation:
Haskell, Harry. “Paul Rosenfeld, ‘Ives’s Concord Sonata’.” In The attentive listener: three centuries of music criticism. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hawes, Peter
Year: 1998
Complete Citation:
Hawes, Peter. “Learning to Love a Cranky Composer.” Yale Alumni Magazine (March 1998).Notes: A report of a pre-concert talk prior to a performance by the National Symphony Orchestra at the University of Arizona’s Centennial Hall in Tucson by Leonard Slatkin, the orchestra’s conductor. The Unanswered Question was on the program that evening. Slatkin’s remarks about Ives and Symphony No. 4 are somewhat negative. A general article prompted by the awarding of the first Charles Ives Living to Martin Bresnick.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Heister, Hanns-Werner, Werner Kremp, eds.
Year: 2004
Complete Citation:
Heister, Hanns-Werner, Werner Kremp, eds. Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
IV. Individual Studies by Genre
E. Songs
Hellmons, Matthias
Year: 2002
Complete Citation:
Hellmons, Matthias. “Thema: Geister über den Wassern: Singen im Musikunterricht als Fenster zur Transzendenz.” Musik and Bildung: Praxis Musikerziehung, Vol. 34, No. 3 (2002): 28-35.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Henahan, Donal
Year: 1986
Complete Citation:
Henahan, Donal. “Maverick Composers Make Their Own Choices.” New York Times. December 14, 1986: sec. 2, 25.Source: Newspaper
VI. Topical Studies
A. Transcendentalism or Philosophy
Henck, Herbert
Year: 1980
Complete Citation:
Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ “Study No. 20.”” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.Source: Chapter in Book
Reprints: Henck, Herbert. "Aus zweiter Hand: Charles E. Ives' 'Study No. 20.' Review of Study No. 20 by Charles Ives.]"Neuland 3 (1982-83): 242.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1988
Complete Citation:
Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.Source: Festival Booklet
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.Notes: Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
