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Bibliography

Hitchock, H. Wiley, and Vivian Perlis, eds.

Year: 1977
Complete Citation:
“Three Realizations of Chromâtimelôdtune.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 87-109. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Holmes, Leslie M.

Year: 2010
Complete Citation:
Holmes, Leslie M. “A Conversation with William Sharp, Part 2.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 67, No. 1 (2010): 91-97.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2011
Complete Citation:
Holmes, Leslie M. “A Conversation with Gerald Finley, Part 2.” Journal of Singing 67, No. 5 (May 2011): 617-623.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Horowitz, Joseph

Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction: The Transcendental Ives.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy

Horowitz, Joseph, John Adams, <br>Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman

Year: 1994
Complete Citation:
Horowitz, Joseph, John Adams,
Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman. “Panel Discussion.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Houtchens, Alan and Janis P. Stout

Year: 1996
Complete Citation:
Houtchens, Alan and Janis P. Stout. “Intertextuality and Meaning in Charles Ives’s In Flanders Fields.” In The Maynooth International Musicological Conference 1995: Selected Proceedings, edited by Patrick F. Devine and Harry White. Dublin, Ireland: Four Courts Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Houtchens, Alan, and Janis P. Stout. “‘Scarce heard amidst the guns below’: Intertextuality and Meaning in Charles Ives’s War Songs.” Journal of Musicology 15/1 (Winter 1997): 66-97.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Hughes, Allen

Year: 2001
Complete Citation:
Hughes, Allen. “Cover to Cover: Modern Thinking.” Chamber Music, Vol. 18, No. 3 (2001): 42-43.
Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works

Hunnicutt, Ellen

Year: 1987
Complete Citation:
Hunnicutt, Ellen. “The Practical Uses of Emerson: Charles Ives.” Soundings: An Interdisciplinary Journal, vol. 70, no. 1/2 (1987): 189-198.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Hüsken, Renata

Year: 1980
Complete Citation:
Hüsken, Renata. “Charles Ives' ‘Robert Browning Overture.’” Neuland 1 (1980): 16-24.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hyunmo, Kang

Year: 2007
Complete Citation:
Hyunmo, Kang. “아이브스의 노래: 커멘터리의 노래.” 서양음악학 10, no. 3 (2007): 11-44
Notes:

Translates to “Song of Ives: Song of the Commentary”

Source: Journal
IV. Individual Studies by Genre
E. Songs

Ingram, Paul

Year: 2005
Complete Citation:
Ingram, Paul. “A Song (and a Singer) for Anything: Gerald Finley, Charles Ives, and a Framework for Exploration.” Fanfare 29/1 (Sep-tember/October 2005): 20, 22, 24, 26.
Notes:

Remarks concerning Finley's recording of Ives's songs [D620].

Source: Magazine
IV. Individual Studies by Genre
E. Songs

Ives, Charles

Year: 1942
Complete Citation:
Ives, Charles. “‘Children’s Day at the Camp Meeting’ by Charles Ives.” Modern Music 19, no. 2 (January-February 1942): 115-117.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1992
Complete Citation:
Ives, Charles. “Ives’s Program Note.” In The Fourth of July: Third Movement of A Symphony: New England Holidays, edited by Wayne D. Shirley, vii. Charles Ives Society Critical Edition. Milwaukee, WI: Associated Music Publishers, 1992.
Source: Commentary in score
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ives, Charles E.

Year: 1929
Complete Citation:
Ives, Charles E. “The Fourth Symphony for Large Orchestra.” New Music, Vol. 2, No. 2 (January, 1929).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1935
Complete Citation:
Ives, Charles E. New music: a quarterly of modern compositions, nineteen songs. New York, New York: New Music, 1935.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1973
Complete Citation:
Charles E. Ives. “Note.” In Central Park in the Dark, edited by Jacques-Louis Monod, 31. Hillsdale, NY: Boelke-Bomart, 1973.
Source: Score
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ives, Charles; J. Bernlef, trans.

Year: 1969
Complete Citation:
Ives, Charles. “Text to ten songs with Dutch translations.” In Charles Ives, 115--119, 260--264. Amsterdam, Netherlands: De Bezige Bij, 1969.
IV. Individual Studies by Genre
E. Songs