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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ives, Charles; J. Bernlef, trans.

Year: 1969
Complete Citation:
Ives, Charles. “Foreword to 114 Songs [l’Nawoord bij 114 Songs].” Translated to Dutch by J. Bernlef. In Charles Ives, 93--103. In Charles Ives, 52-92. Amsterdam, Netherlands: De Bezige Bij, 1969.
IV. Individual Studies by Genre
E. Songs
Year: 1969
Complete Citation:
Ives, Charles. “Epilogue from Essays Before a Sonata [Epiloog from Essays voorafgaand ann een sonate].” Translated to Dutch by J. Bernlef. In Charles Ives, 52-92. Amsterdam, Netherlands: De Bezige Bij, 1969.
IV. Individual Studies by Genre
C. Keyboard Works

Iverson, Jennifer

Year: 2002
Complete Citation:
Iverson, Jennifer. “Ives Reworks Thoreau: Charles Ives’ Interpretation of Thoreau in 114 Songs and Essays before a Sonata.” Publications of the Missouri Philological Association, vol. 27 (2002): 66.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2006
Complete Citation:
Iverson, Jennifer. “Spatial Structures of the Collage: the Case of Charles Ives’s Putnam's Camp.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ivey, Donald

Year: 1970
Complete Citation:
Ivey, Donald. Song: Anatomy, Imagery, and Styles. New York, NY: Free Press, 1970.
Notes:

Numerous passing references; eleven songs mentioned, some with examples: At the River, Charlie Rutlage, The Children's Hour, A Christmas Carol, An Election, from “Lincoln, the Great Commoner.” General William Booth Enters into Heaven, His Exaltation, Majority, On the Counter, Serenity, and Tom Sails Away.

Source: Book
IV. Individual Studies by Genre
E. Songs

James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair

Year: 2001
Complete Citation:
James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair. “Ives and His Use of Theater Transformation.” Lecture, Fiftieth anniversary of the East-man Wind Ensemble, Eastman School of Music, Rochester, New York, February 7, 2001.
Notes:

Musical selections performed in Kilborn Hall: Over the Pavements, Calcium Light Night, edited by Kenneth Singleton (chamber ensemble, Brad Lubman, con-ductor); and Overture and March “1776” and Country Band March (Eastman Dryden Orchestra, James Sinclair, conductor). Parts of this seminar were recorded and are available from the Eastman School.

Source: Lecture
IV. Individual Studies by Genre
A. Orchestral and Band Works

James Sinclair, commentor

Year: 1999
Complete Citation:
James Sinclair, commentor. “Song Recital with Slides and Comments.” Lecture-recital presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.
Notes:

Performers include Theodore Huffman, bari-tone; Brenda Patterson, mezzo-soprano; Lydia Brown, piano

IV. Individual Studies by Genre
E. Songs

Janicka-Slysz, M.

Year: 1988
Complete Citation:
Janicka-Slysz, Małgorzata. “IV Symfonia Charlesa Edwarda Ivesa.” Zeszyty naukowe: Akademia Muzyczna im. Stastawa moniuszki w Gdansku 27: 75-94.
Notes:

Regarding Symphony No. 4

Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Jenkins, David and Mark Visocchi

Year: 1979
Complete Citation:
Jenkins, David and Mark Visocchi. “Washington's birthday / by Charles Ives.” In Portraits in music. London, United Kingdom: Oxford University Press, 1979.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

John Heiss, Jona-than Elkas, Charles Peltz, Gunther Schuller, and James Sinclair

Year: 2005
Complete Citation:
John Heiss, Jona-than Elkas, Charles Peltz, Gunther Schuller, and James Sinclair. “Conducting Ives [Panel]. Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Johnson (Swafford), Jan

Year: 1968
Complete Citation:
Johnson (Swafford), Jan. “The Second Phase: Compositional Techniques and Form in Ives’ Fourth Symphony.” Senior Thesis, Harvard College, 1968.
Notes:

Unpublished

Source: Senior Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works

Johnson [Swafford], Jan L.

Year: 1968
Complete Citation:
Johnson [Swafford], Jan L. “The Second Phase Compositional Tech-niques and Form in Ives’ Fourth Symphony.” B.A. senior honors essay, Harvard College, Harvard University, 1968.
Source: B.A. senior honors essay
IV. Individual Studies by Genre
A. Orchestral and Band Works

Johnson, Timothy A.

Year: 1996
Complete Citation:
Johnson, Timothy A. “Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives.” Music Theory Spectrum 18 (1996): 236-2-61.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Jolas, Betsy

Year: 1970
Complete Citation:
Jolas, Betsy. “Introduction a la Musique Americaine: Sur The Unanswered Question.” Musique en Jeu 1 (November 1970): 13-16.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1970
Complete Citation:
Jolas, Betsy. “Sur Ives: ‘The Unanswered Question,’” Musique en Jeu, No. 1 (1970).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Josephson, Nors S.

Year: 1974
Complete Citation:
Josephson, Nors S. “Besprechungen: Ulrich Maske: Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” Die Musikforschung, Vol. 27, No. 4 (1974): 490.
Source: Journal (book review)
IV. Individual Studies by Genre
B. Chamber Works
Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur Einiger Später Orchesterwerke Von Charles Ives (1874-1954).” Die Musikforschung, vol. 27, no. 1 (1974): 57-64.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur einiger später Orchester-werke von Charles Ives (1874-1954).” Die Musikforschung 27 (1974): 57-64.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984-1985
Complete Citation:
Josephson, Nors S. “The Initial Sketches for Ives’s ‘St. Gaudens in Boston Common’.” Soundings: A Music Journal 12 (1984-1985): 46-63.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kaenel, André

Year: 1986
Complete Citation:
Kaenel, André. “Les transcendentalists americaines.” Contrechamps 7 (1986): 99-109.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy