Hewett, Ivan
Year: 2013
Complete Citation:
Hewett, Ivan. “The Latest in our Series on Short Works by the World’s Greatest Composers; Ivan Hewett’s Classic 50; no 21 Charles Ives - the Housatonic at Stockbridge.” Daily Telegraph, May 9, 2013, 27.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hicks, Michael
Year: 1991
Complete Citation:
Hicks, Michael. “The Imprisonment of Henry Cowell.” Journal of the American Music Society 44, No. 1 (1991).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
Hicks, Michael. Henry Cowell, Bohemian. Urbana, IL: University of Illinois Press, 2002.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hiller, Egbert
Year: 2011
Complete Citation:
Hiller, Egbert. “«Manische Entwicklungslinien»: Der Ungarische Komponist Martin Illés.” Neue Zeitschrift Für Musik, vol. 172, no. 1 (2011): 46-49.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hines, Robert Stephen, ed.
Year: 1970
Complete Citation:
Hines, Robert Stephen, ed. The Orchestral Composer's Point of View: Essays on Twentieth -Cen-tury Music by Those Who Wrote It, 39-60. Norman, OK: The University of Oklahoma Press, 1970.Notes: An untitled essay by Elliott Carter mentions Ives several times (40, 58), indicating the difficulties of performing Ives’s orchestral works as well as the expan-siveness of Ives's orchestral scores. Several passing remarks about Ives in the articles by Ross Lee Finney and Gunther Schuller [Remarks that Ives’s music was not being performed by orchestral musicians in the 1940s.]
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hinson, Maurice
Year: 1974-1975
Complete Citation:
Hinson, Maurice. “The Solo Piano Music of Charles Ives.” Piano Quarterly 88 (Winter 1974-1975): 32-35.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Hinson, Maurice. Music for More Than One Piano: An Annotated Guide, 96-91. Bloomington, IN: Indiana University Press, 1983.Notes: Discusses Three Quarter-Tone Pieces for two pianos and Calcium Light Night.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Hinson, Maurice and Wesley Roberts
Year: 2014
Complete Citation:
Hinson, Maurice and Wesley Roberts. “I.” In Guide to the Pianist's Repertoire, Fourth Edition, 4th ed., 528-537. Bloomington, IN: Indiana University Press, 2014.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hitchcock, H. Wiley
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives’s Book of 114 Songs.” In A Musical Offering: Essays in Honor of Martin Bernstein, edited by Edward H. Clinksdale and Claire Brook, 127-135. New York, NY: Pendragon Press, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1985
Complete Citation:
Hitchcock, H. Wiley. “Ivesiana. The Gottschalk Connection.” Institute for Studies in American Music Newsletter 15/1 (November 1985): 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Hitchcock, H. Wiley. “Keynote Address: Ives and Copland: An Odd Couple, and Yet…” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. ““A grand and glorious noise!”: Charles Ives as Lyricist.” American Music 15/1 (1997): 26-44.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “‘A grand and glorious noise!’: Charles Ives as Lyri-cist.” American Music 15/1 (Spring 1997): 26-44.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Hitchcock, H. Wiley. “Ives’s 114 [+15] Songs and What He Thought of Them.” Journal of the American Musicological Society 52/1 (Spring 1999): 97-144. Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. “Ives as Songwriter and Lyricist.” In 129 Songs, edited by H. Wiley Hitchcock, xvii--lxxi. Music of the United States of America, No. 12. Middle-town, WI: A--R Editions, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Hitchcock, H. Wiley, and Noel Zahler
Year: 1988
Complete Citation:
Hitchcock, H. Wiley, and Noel Zahler. “Just What Is Ives’s Unanswered Question?” Notes 44, No. 3 (March 1988).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hitchcock, H. Wiley, and Vivian Perlis, eds.
Year: 1977
Complete Citation:
Hitchcock, H. Wiley, and Vivian Perlis, eds. “Five Composers’ Views.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 187-208. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hitchcock, H. Wiley, ed.
Year: 1981
Complete Citation:
Hitchcock, H. Wiley. “Schoenberg on Ives.” Institute for Studies in American Music Newsletter (May 1981) 10/2: 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. Critical Commentaries for Charles Ives - 129 Songs. Middleton, WI: A-R Editions, Inc., 2004.Source: Book
IV. Individual Studies by Genre
E. Songs
Hitchcock, H. Wiley Vivian Perlis, and J. Peter Burk-holder
Year: 1993
Complete Citation:
Hitchcock, H. Wiley Vivian Perlis, and J. Peter Burk-holder. “Ives and Copland and Their Contribution to an American Mythol-ogy.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Paper at Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers