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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
A. Orchestral and Band Works
B. Chamber Works
C. Keyboard Works
D. Choral Works
E. Songs
V. General Music Studies
VI. Topical Studies
A. Transcendentalism or Philosophy
B. Musical Quotation or Borrowing
C. Chronology
D. Insurance
F. Polytonality
G. Music Theory Analyses
H. Ives, 20th Century Music, and Experimental Styles
I. Compositional Process
J. Extra-Musical Themes in Ives’s Compositions
K. Stylistic Influences on Ives
L. Ives and America
M. Ives and Manhattan
N. Ives’ Childhood
O. Ives and Yale
P. Ives Collaborators and Colleagues
Q. Ives Scholars
R. Performance Approaches
S. Reception Studies and Related Scholarship
T. Ives in Music Education
U. Institutions and Ives’ Legacy
V. Awards
W. Obituaries
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hitchcok, H. Wiley

Year: 1998
Complete Citation:
Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.”<i>Journal of the American Musicological Society</i> 52/1 (Spring 1999): 97-144.

IV. Individual Studies by Genre
E. Songs

Hitchock, H. Wiley, and Vivian Perlis, eds.

Year: 1977
Complete Citation:
“Three Realizations of Chromâtimelôdtune.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 87-109. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hoek, D. J.

Year: 2004
Complete Citation:
Hoek, D.J. “Documenting the International Avant Garde: Earle Brown and the Time-Mainstream Contemporary Sound Series.” Notes 61/2 (2004): 350-360.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Holmes, Leslie M.

Year: 2010
Complete Citation:
Holmes, Leslie M. “A Conversation with William Sharp, Part 2.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 67, No. 1 (2010): 91-97.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2011
Complete Citation:
Holmes, Leslie M. “A Conversation with Gerald Finley, Part 2.” Journal of Singing 67, No. 5 (May 2011): 617-623.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Hommel, Friedrich

Year: 1985
Complete Citation:
Hommel, Friedrich. “Andere funfziger Jahre? Familienbild mit Ives, Cowell, Varese und Cage.” In Die Musik der funfziger Jahre, 39-47, edited by Carl Dahlhaus. Veroffentlichungen des Instituts fur Neue Musik und Musik-erziehung Darmstadt, Vol. 26. Mainz, Germany: Schott, 1985.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Horowitz, Joseph

Year: 2007
Complete Citation:
Horowitz, Joseph. “Antonin Dvorak and Charles Ives in search of America.” In Classical music in America: a history. New York, NY: W.W. Norton & Company, Inc., 2007.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2019
Complete Citation:
Horowitz, Joseph. “Mark Twain, Charles Ives, and the Uses of Vernacular Intelligence.” Raritan: A Quarterly Review, vol. 38, no. 3 (2019): 143-164.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Houtchens, Alan and Janis P. Stout

Year: 1996
Complete Citation:
Houtchens, Alan and Janis P. Stout. “Intertextuality and Meaning in Charles Ives’s In Flanders Fields.” In The Maynooth International Musicological Conference 1995: Selected Proceedings, edited by Patrick F. Devine and Harry White. Dublin, Ireland: Four Courts Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Houtchens, Alan, and Janis P. Stout. “‘Scarce heard amidst the guns below’: Intertextuality and Meaning in Charles Ives’s War Songs.” Journal of Musicology 15/1 (Winter 1997): 66-97.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Howard, John Tasker

Year: 1941
Complete Citation:
Howard, John Tasker. Our Contemporary Composers: American Music in the Twentieth-Century. New York, NY: Crowell, 1941.
Source: Book
Reprints:

1943

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Howard, John Tasker and George Kent Bellows

Year: 1967
Complete Citation:
Howard, John Tasker and George Kent Bellows. “Experimental Composers: Charles Edward Ives; John Cage.” In A short history of music in America.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hughes, Allen

Year: 2001
Complete Citation:
Hughes, Allen. “Cover to Cover: Modern Thinking.” Chamber Music, Vol. 18, No. 3 (2001): 42-43.
Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works

Hunnicutt, Ellen

Year: 1987
Complete Citation:
Hunnicutt, Ellen. “The Practical Uses of Emerson: Charles Ives.” Soundings: An Interdisciplinary Journal, vol. 70, no. 1/2 (1987): 189-198.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Hüppe, Eberhard

Year: 2012
Complete Citation:
Hüppe, Eberhard. “Dvořák, Ives: Mahler: New York im Konnex europäischer Städte.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hüsken, Renata

Year: 1980
Complete Citation:
Hüsken, Renata. “Charles Ives' ‘Robert Browning Overture.’” Neuland 1 (1980): 16-24.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hyunmo, Kang

Year: 2007
Complete Citation:
Hyunmo, Kang. “아이브스의 노래: 커멘터리의 노래.” 서양음악학 10, no. 3 (2007): 11-44
Notes:

Translates to “Song of Ives: Song of the Commentary”

Source: Journal
IV. Individual Studies by Genre
E. Songs

Ingram, Paul

Year: 2005
Complete Citation:
Ingram, Paul. “A Song (and a Singer) for Anything: Gerald Finley, Charles Ives, and a Framework for Exploration.” Fanfare 29/1 (Sep-tember/October 2005): 20, 22, 24, 26.
Notes:

Remarks concerning Finley's recording of Ives's songs [D620].

Source: Magazine
IV. Individual Studies by Genre
E. Songs

Ivashkin, Alexander

Year: 2013
Complete Citation:
Ivashkin, Alexander and John Cage. “John Cage in Soviet Russia.” Tempo, vol. 67, no. 266 (2013): 18-27.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ives, Charles

Year: 1942
Complete Citation:
Ives, Charles. “‘Children’s Day at the Camp Meeting’ by Charles Ives.” Modern Music 19, no. 2 (January-February 1942): 115-117.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works