Image
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79.
Bibliography
Genres
Kopetz, Barry E.
Year: 1991
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Koppenhaver, Allen J.
Year: 1975
Complete Citation:
Koppenhaver, Allen J. “Charles Ives, Winslow Homer, and Thomas Eakins: Variations on America.” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 381-393.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kosman, Joshua
Year: 2006
Complete Citation:
Kosman, Joshua. “Symphony premieres Adams’s splendid Ives.” In The John Adams reader: essential writings on an American composer, edited by Thomas May, 376-378. Pompton Plains, NJ: Amadeus, 2006.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kostelanetz, André and Gloria Hammond
Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.Notes:
Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kostelanetz, Richard
Year: 1983
Complete Citation:
Kostelanetz, Richard. American imaginations: Charles Ives, Gertrude Stein, John Cage, Merce Cunningham, Robert Wilson. Series-Internationaler Merve-Diskurs, 111. Berlin, Germany: Merve-Verlag, 1983.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Kostelanetz, Richard. John Cage (ex)plain(ed), 8. New York, NY: Schirmer Books, 1996.Notes:
Traces lineage from Varèse to Ives to Cage), 26 <i>(The Unan-swered Question</i>), 52, 93, 104 (compares Cage's HPSCHD to Ives's Symphony No. 4 and <i>Universe Symphony), </i>143.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Copland, Aaron. Aaron Copland: A Reader, edited by Richard Kos-telanetz, 151-157. New York, NY: Routledge, 2004.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kostelanetz, Richard, ed.
Complete Citation:
“Interju med John Cage.” Translated by Joel Eric Suben. Nutida Musik (1987-1988) 21/1.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1970
Complete Citation:
Kostelanetz, Richard, ed. John Cage, 12, 25, 100-102, 130, 162-165, 167, 177, 202, 204. New York, NY: Praeger Publishers, 1970.Source: Book
Reprints:
Kostelanetz, Richard, ed. <i>John Cage</i>. London, United Kingdom: Allen Lane, 1971. * Kostelanetz, Richard, ed. <i>John Cage</i>. Cologne, Germany: Dumont Schauberg, 1973.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Kostelanetz, Richard, ed. “Conversing with Cage.” New York, NY: Limelight, 1988, 39-40, 47 and passim.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kozinn, Allan
Year: 2010
Complete Citation:
Kozinn, Allan. “Chronicle: December 10 - [Music of John Adams].” 21st Century Music, Vol. 17, No. 2 (2010): 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kraft, Leo
Year: 1990
Complete Citation:
Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Kramer, A. Walter
Year: 1921
Complete Citation:
Kramer, A. Walter. “A Pseudo-literary Sonata!!!” Musical America (April 2, 1921): 36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Kramer, Jonathan D.
Year: 1988
Complete Citation:
Notes:
Includes Charles Ives Symphony No. 2, Symphony No. 4, and Three Places in New England
Source: Book
Reprints:
Kramer, Jonathan D. <i>Listen to the music: a self-guided tour through the orchestral repertoire</i>. New York, NY: Schirmer Books.
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kramer, Lawrence
Year: 1978
Complete Citation:
Kramer, Lawrence. “‘A Completely New Set of Objects’: Wallace Stevens and Charles Ives.” The Wallace Stevens Journal, vol. 2, no. 3/4 (1978): 3-15.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1978, 1988
Complete Citation:
Kramer, Lawrence. ““A Completely New Set of Objects”: The Spirit of Place in Wallace Stevens and Charles Ives.” The Wallace Stevens JournalVol. 2, No. 3/4 (Fall 1978): 3-15.
Source: Journal
Reprints:
Kramer, Lawrence. ““A Completely New Set of Objects”: The Spirit of Place in Wallace Stevens and Charles Ives.” In <i>Critical Essays on Wallace Stevens</i>, edited by Steven Gould Axelrod and Helen Deese. Boston, MA: G.K. Hall, 1988.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1984
Complete Citation:
Kramer, Lawrence. “A Completely New Set of Objects.” In Music and Poetry: The Nineteenth Century and After, 171-202. Berkeley, CA: University of California Press. 1984.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Kramer, Lawrence. “The American Scene.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 46-48. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Kramer, Lawrence. ““S one strane enformelske muzike”: nostalgija, zastarevanje i avangarda.” Muzikologija, No. 6 (2006): 43-62.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives’s A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works