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Bibliography

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Year: 1977
Complete Citation:
“On conducting and performing Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1987
Complete Citation:
“On the Rating of Composers: Letter.” The New York Times, April 26, 1987.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
“Celebrating American Music from Ives to the Dead.” Sonneck Society for American Music Bulletin 20/2: 15-16.
Notes:

“The Dead” refers to the Rock group, “The Grateful Dead.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
“Music Live - Finding The Answer.” Choir & Organ, Vol. 4, No. 1 (1996): 42.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1996
Complete Citation:
“Research Report.” The Choral Journal 37, no. 3 (October 1996): 49.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1997
Complete Citation:
Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
“Visitenkarte - Charles Ives: The Celestial Country.” Musik und Kirche, Vol. 72, No. 5 (2002): 349.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 2002
Complete Citation:
Noble, David W. “The Vanishing National Landscape: Painting, Architecture, Music, and Philosophy in the Early Twentieth Century.” In Death of a Nation: American Culture and the End of Exceptionalism, 151-214. Minneapolis, MN: University of Minnesota Press, 2002.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
A Century of Composing in America: 1820-1920, The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2005
Complete Citation:
“Aus den Diözesen: Wien.” Singende Kirche: Zeitschrift für Katholische Kirchenmusik, Vol. 52, No. 3 (2005): 173-174.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2013
Complete Citation:
“Ivan Hewett’s Classic 50 no. 21: Ives - the Housatonic at Stockbridge; the Latest in Ivan Hewett’s 50-Part Series on Short Works by the World’s Greatest Composers.” The Telegraph Online, May 9, 2013.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2014
Complete Citation:
“Spirit of Charles Ives.” Symphony, Vol. 65, No. 1 (2014): 8.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2015
Complete Citation:
“De Charles Ives a Johann Sebastian Mastropiero.” La Nación - Argentina, May 28, 2015.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers