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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Tryon, Winthrop P.

Year: 1925
Complete Citation:
Tryon, Winthrop P. “Quarter-Tone Experiments.” Christian Science Monitor, February 7, 1925, 8.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works

Tyler, Charles Ives

Year: 1977
Complete Citation:
Tyler, Charles Ives. “Charles Ives.” Piano Today 17/3 (1977): 8, 10, 54.
Notes:

Part of a pair of articles entitled “American Transcendentalism: Two Compos-ers in the Pioneer Tradition.” Reminiscences by Charles Ives's grand- son about how Ives disliked milk. [The other article is “Ruth Crawford Seeger” by Judith Tick.]

Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Ulrich, Homer

Year: 1952
Complete Citation:
Ulrich, Homer. Symphonic Music: Its Evolution since the Renaissance. New York, NY: Columbia University Press, 1952.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Unger, Clive

Year: 1983
Complete Citation:
Unger-Hamilton, Clive, ed. The Great Symphonies, edited by Clive, 137, 138, 141, 209. New York, NY: Facts on File, 1983.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Upton, William Treat

Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.
Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Velten, Klaus

Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Vermeulen, Ernst

Year: 1994
Complete Citation:
Vermeulen, Ernst. “Musikale torso’s (10): Ives’ Universe Symphony. Machtig en Mannelijk.” Mens en Mels 49 (October 1994): 586-594.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Verrall, John

Year: 1953
Complete Citation:
Verrall, John. “American Chamber Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 21-26. Pittsburgh, PA: Music Teachers National Association, 1953.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Vinquist, Mary Ann

Year: 1965
Complete Citation:
Vinquist, Mary Ann. “The Psalm-Settings of Charles Ives.” M.A. thesis, Indiana University, 1965.
Source: M.A. Thesis
IV. Individual Studies by Genre
D. Choral Works

Von Glahn, Denise

Year: 2004
Complete Citation:
von Glahn, Denise. “The Sylvan in the City: Central Park in the Dark.” In Musik-Konzepte 123 — Charles Ives, edited by Ulrich Tadday. Munich, Germany: Edition Text und Kritik, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Denise Von Glahn. “Sylvan in the City: Everyday Eternal in ‘Central Park in the Dark.’” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Walker, Donald R.

Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.
Notes:

Part of “A Garland for Charles Ives”

Source: Journal
IV. Individual Studies by Genre
E. Songs

Warburton, Thomas

Year: 1972
Complete Citation:
Warburton, Thomas. “Historical Perspective of the String Quartet in the United States.” American Music Teacher 21/3 (1972): 20-37.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Ward, Jennifer A.

Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Wasson, Jeffrey

Year: 1975-76
Complete Citation:
Wasson, Jeffrey. “The Organ Works of Charles Ives: A Research Summary.” Student Musicologists at Minnesota 6 (1975-76): 280-89.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Weaver, Michael Alan

Year: 2006
Complete Citation:
Weaver, Michael Alan. “Ives, Charles.” In Works for the viola by Pulitzer Prize winning composers: an annotated bibliography. Lewiston, NY: E. Mellen Press, 2006.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Webster, David

Year: 1967
Complete Citation:
Webster, David. “He Found the Lost Symphony.” Philadelphia Inquirer. February 19, 1967.
Notes:

Regarding Theodore A. Seder of the Fleisher Music Collection and his editorial work on the score to Symphony No. 4.

Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works