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Bibliography

Butterworth, Neil

Year: 1999
Complete Citation:
Neil Butterworth. “Charles Ives.” In The American Symphony, 36-44. Brookfield, VT: Ashgate Publishing, 1999.
Notes:

Discusses the four numbered sym-phonies and the Universe Symphony. States that the four movements of the Holidays Symphony “form separate patriotic pieces” that can “in no way...collectively constitute a symphony.”

Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Calvert Bean, Jr.

Year: 1969
Complete Citation:
Calvert Bean, Jr. “Re: Variations on ‘America.’” Instru-mentalist 24/2 (September 1969): 14.
IV. Individual Studies by Genre
C. Keyboard Works

Carr, Cassandra Irene

Year: 1989
Complete Citation:
Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Carson, Gerald

Year: 1965
Complete Citation:
Carson, Gerald. “The Piano in the Parlor.” American Heritage, December 1965.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Carter, Chandler

Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.
Source: Conference Paper
IV. Individual Studies by Genre
E. Songs

Charles, Sydney Robinson

Year: 1967
Complete Citation:
Charles, Sydney Robinson. “The Use of Borrowed Materials in Ives’ Second Symphony.” The Music Review, 28/2 (May, 1967): 102-111.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Chasins, Abram

Year: 1979
Complete Citation:
Chasins, Abram. Leopold Stokowski: A Profile, 219, 236-237, 242. New York, NY: Hawthorne Books, 1979.
Notes:

Discusses Stokowski’s performance of Ives Symphony No. 4, and Stokowski’s list which includes the Robert Browning Overture and Symphony No. 4.

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Childs, Andrew S.

Year: 2004
Complete Citation:
Childs, Andrew S. “The Children’s Hour: The Thematic Voice of Childhood in the Songs of Charles Ives.” D.M.A. diss., Univer-sity of Washington, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
E. Songs

Chmaj, Betty E.

Year: 1989
Complete Citation:
Chmaj, Betty E. "Charles Ives and the Concord Sonata.” In Poetry and the fine arts: papers from the poetry sessions of the European Association for American Studies Biennial Conference, Rome 1984, edited by Hagenbüchle, Roland and Jacqueline Saunier-Ollier.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Christy, Van A.

Year: 1979
Complete Citation:
Christy, Van A. Foundations in Singing, 56-60. 4th ed. Dubuque, IA: Wm. C. Brown Company, 1979.
Notes:

Includes examples from At Sea, At the River, Evening, The Indians, and Remembrance.

Source: Book
IV. Individual Studies by Genre
E. Songs

Christiansen, Larry A.

Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty-Seventh Psalm.” Music: The AGO & RCCO Magazine III, February 1969, 20-21.
Source: Magazine
IV. Individual Studies by Genre
D. Choral Works
Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty--Seventh Psalm.” Music/AGO-RCCO Magazine 3/2 (February 1969): 20-21.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Clark, Sondra Rae

Complete Citation:
Clark, Sondra Rae. “Ives and the Assistant Soloist.” Clavier 13/7 (1974): 17-20, 30.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1966
Complete Citation:
Clark, Sondra Rae. “The Transcendental Philosophy of Charles E. Ives as Expressed in ‘The Second Sonata for Pianoforte, “Concord, Mass., 1840-1860,”’” Master’s Thesis, San Jose State College, 1966.
Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Elements of Choice in Ives’s Concord Sonata.” The Musical Quarterly 60 (1974): 167-186.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Element of Choice in Ives’s ‘Concord Sonata.’” Musical Quarterly 60/2 (April 1974): 167-186.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Coffill, Brian

Year: 2019
Complete Citation:
Coffill, Brian. “Charles Ives’s Decoration Day: A Conductor’s Guide.” SAGE Open 9, no. 1 (January 2019).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Cogan, Robert

Year: 1999
Complete Citation:
Cogan, Robert. The Sounds of Song: A Picture Book of Music for Voice. Cambridge, United Kingdom: Publication Contact International, 1999.
Source: Book
Reprints:

Cogan, Robert. “The Sounds of Song: A Picture Book of Music for Voice.” <i>Sonus</i> 22/1 (Spring 2002): 1-10.

IV. Individual Studies by Genre
E. Songs
Year: 2002
Complete Citation:
Cogan, Robert. “Ives’ Farewell.” Sonus: A Journal of Investigations into Global Musical Possibilities, Vol. 22, No. 2 (2002): 1-10.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Cohn, Arthur

Year: 1962
Complete Citation:
Cohn, Arthur. “Not once but twice—the ‘Concord’ Sonata.” The American Record Guide, Vol. 28, June 1962.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works