Image
Complete Citation:
Ghander, Ann. “Charles Ives: Organisation in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.
Bibliography
Genres
Ghandar, Ann
Year: 1980
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in EMERSON.” Musicology VI (1980): 111-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in emerson.” Musicology Australia, Vol. 6, Issue 1 (1980): 111-127.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organization in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.Notes:
Part I, “The Allegation of Chaos,” presents several appraisals of Ives and his work, including “A Meterological Chart of the Climate of Opinion” about Ives. Part II, “Emerson,” contains an analysis of the first move-ment of Sonata No. 2, “Concord, Mass., 1840-1860” for piano.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Giebisch, Thomas
Year: 2004
Complete Citation:
Giebisch, Thomas. “‘Take-Off’ als Kompositionsprinzip: Alltags- erfahrungen als Ausgangspunkt einer musikalischen Realisation.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 73-84. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gilbert, Nina
Year: 1990
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal 31/2 (1990): 43-45.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1995
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal, vol. 36, no. 3 (1995): 49-52.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Gilday, Edward F.
Year: 1962
Complete Citation:
Gilday, Edward F. “The Greatest Man.” Keyboard Jr. 20/7 (April 1962): 2, 4.Notes:
A description of the song The Greatest Man to accompany the article. Included a recording.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gillespie, John
Year: 1965
Complete Citation:
Gillespie, John. Five Centuries of Keyboard Music: An Historical Sur-vey of Music for Harpsichord and Piano. Belmont, CA: Wadsworth, 1965.Notes:
One paragraph about Sonata No. 1; almost a page about Sonata No. 2, “Concord, Mass., 1840--1860,” for piano, that “is the best example of [Ives's] fully ripened style.”
Source: Sheet Music
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gilman, Lawrence
Year: 1927
Complete Citation:
Gilman, Lawrence. “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune. January 31, 1927.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1927
Complete Citation:
Gilman, Lawrence, “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune, January 31, 1927.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Glahn, Denise von
Year: 2004
Complete Citation:
Glahn, Denise von. “Musikalische Stadtlandschaft: Central Park in the Dark.” In Musik-Konzepte 123 —Charles Ives, edited by Ulrich Tadday, 89-108. Munich, Germany: Edition Text und Kritik, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Goleeke, Thomas
Year: 1984
Complete Citation:
Goleeke, Thomas. Literature for Voice: An Index of Songs in Collec-tions and Source Book for Teachers of Singing, 56-60, 65-66. Metuchen, NJ: Scare-crow, 1984.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Gollin, Rita K.
Year: 2006
Complete Citation:
Gollin, Rita K. “Charles Ives's Hawthorne.” Nathaniel Hawthorne Review, vol. 32, no. 2 (2006): 23-36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Goodman, Alan
Year: 2005
Complete Citation:
Goodman, Alan. “A Bassoon Lite, Please... Eyeballing Mehta.” The Double Reed, Vol. 28, No. 4 (2005): 109-110.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Goodman, John
Year: 1968
Complete Citation:
Goodman, John. “An Urbanized Thoreau.” The New Leader (September 23, 1968: 23-24.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Goudie, Andrea
Year: 1972
Complete Citation:
Goudie, Andrea. “Exploring the Broad Margins: Charles Ives’s Interpretation of Thoreau.” The Midwest Quarterly 13 (1972): 309-317.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gould, Glenn
Year: 1965
Complete Citation:
Gould, Glenn. “The Ives Fourth.” High Fidelity/Musical America (1965): 96.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Graddy, Julia H.
Year: 2002
Complete Citation:
Graddy, Julia H. “Twentieth-Century Character Portraits for the Solo Voice.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 58, No. 4 (2002): 283-296.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Grantham, Donald
Year: 1979
Complete Citation:
Grantham, Donald. “A Harmonic ‘Leitmotif’ System in Ives’s Psalm 90.” In Theory Only Vol. 5 no. 2 (May-June 1979): 3-14.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works