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Bibliography

Pleasants, Henry

Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Porter, David

Year: 1998
Complete Citation:
Porter, David. “Reconstructing the Emerson Concerto.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

“Reconstructing the Emerson Concerto.” College Music Symposium (1999) 39: 27--42.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David G.

Year: 1998
Complete Citation:
Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.
Source: Unpublished commentary.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David Gray

Year: 1980
Complete Citation:
Porter, David Gray. “The Third Orchestral Set of Charles Edward Ives.” M.A. thesis, California State University, Fullerton, 1980.
Source: M.A. Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works

Pozzi, Raffaele

Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Prendergast, Mark J.

Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rathert, Wolfgang

Year: 1982-1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives: Symphonie Nr. 4, 1911-1916.” Neuland 3 (1982-83): 226-241.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives, Symphonie Nr. 4 (1910-1916).” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Rathert, Wolfgang. “Paysage imaginaire et perception totale: L’idée et la forme de la symphonie Universe.” Contrechamps 7 (1986): 129-154.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Charles Ives: ‘Robert Browning Overture’.” Neue Zeitschrift für Musik 148/4 (1987): 28-31.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zum symphonischen Werk von Charles Ives.” In Charles Ives und die amerikanische Musiktradition bis zur Gegenwart, 53-72. Cologne, Germany: University of Cologne, 1988.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zur Entwicklung des symphonischen Werks von Charles Ives.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart”: Kongreßbericht Köln, 1988, edited by Klaus Wolfgang Niemöller. Regensburg, Germany: Gustav Bosse, 1990.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Auratische Form und Lebenswirklichkeit—Zu Charles Ives’ Orchestral Set No. 2 (1909--1919).” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 138-148. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Rebner, Wolfgang Edward

Year: 1954
Complete Citation:
Rebner, Wolfgang Edward. “American Experimental Music.” Lecture at Internationale Ferienkurse für Neue Musik, Darm-stadt, Germany, 1954.
Source: Lecture
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Reinhard, Johnny

Year: 2004
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Notes:

An article explaining some of the decisions the author/conductor made in preparing a "realization" of the Universe Symphony for performance.

Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works

Rescigno, Eduardo

Year: 1967
Complete Citation:
Rescigno, Eduardo. “Ascoltando il disco: [Charles Edward Ives] Holi-days Symphony.” La Musica Moderna 1/26 (1967): 158--160.
Notes:

Discussion of “A Symphony: New England Holidays” for the inserted recording.

Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Robinson, Edward

Year: 1930
Complete Citation:
Edward Robinson. “Fourth Symphony, Second Movement.” American Mercury XXI, 83 (November 1930): 378.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Roedel, Astrid

Year: 1995
Complete Citation:
Roedel, Astrid. “Fragen und Antworten in der Musik Charles Ives ‘The Unanswered Question’: Annäherung an das Werk sowie Überlegungen zur Behandlung in der Mittel und Oberstufe.” Musik in der Schule 4 (July/August): 192-198.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Rosenfeld, Paul

Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.
Source: Magazine, Book
Reprints:

Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles