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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ross, Alex

Year: 2004
Complete Citation:
Ross, Alex. “Pandemonium: Charles Ives.” The Rest is Noise. May 31, 2004.
Notes:

<a target="_blank" href="http://www.therestisnoise.com/2004/05/charles_ives.html">Avail-able at http://www.therestisnoise.com/2004/05/charles_ives.html.</a&gt;

Source: Web Content/Blog
Reprints:

Ross, Alex. “Pandemonium: Charles Ives.” <i>New Yorker</i> (June 7, 2004).

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2007
Complete Citation:
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century, 130--135. New York, NY: Farrar, Straus and Giroux, 2007.
Notes:

Several other references. Uses the misquotation of Schoenberg (132) {B0290}.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ross, Alex and Laurent Slaars

Year: 2010
Complete Citation:
Ross, Alex and Laurent Slaars. The rest is noise: à l'écoute du xxe siècle la modernité en musique. Arles, France: Actes Sud, 2010.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rossi, Nick

Year: 1969
Complete Citation:
Rossi, Nick. “Charles Ives.” In Music of Our Time, 209-220. Boston, MA: Crescendo Publishing, 1969.
Notes:

Includes discussion and anal-ysis of second movement of Symphony No. 4.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rottermund, Krzysztof

Year: 1989
Complete Citation:
Rottermund, Krzysztof. “Filozofia, estetyka i warsztat w utworze Charlesa Ivesa The Unanswered Question." Zeszyty naukowe 28 (1989): 199-202.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Saffle, Michael, ed.

Complete Citation:
Saffle, Michael, ed. Perspectives on American music, 1900-1950. New York, NY: Routledge, 2000.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Salzman, Eric

Year: 1964
Complete Citation:
Salzman, Eric. “Modern Music in Retrospect.” Perspectives of New Music 2/2 (Spring--Summer): 14-20.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Sarch, Kenneth

Year: 1966
Complete Citation:
Sarch, Kenneth. “The Village Band Becomes a Symphony.” Selmer Bandwagon (November 1966) 14/4: 19--21.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schatt, Peter W.

Year: 1991
Complete Citation:
Schatt, Peter W. “Charles Ives…‘Central Park in the Dark.’ Sekundarstufe II.” Musik in der Schule 2/7 (1991): 47.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Scherer, Barrymore Laurence

Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schmidtals, Lenard

Year: 2004
Complete Citation:
Lenard Schmidtals. “Einige kompositorische Verfahren in Central Park in the Dark.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 149-156. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schnepel, Julie

Year: 1995
Complete Citation:
Schnepel, Julie. “The Critical Pursuit of the Great American Symphony, 1893-1950.” Ph.D. diss., Indiana University, 1995, 527-541.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schoffman, Nach’m

Year: 1990
Complete Citation:
Schoffman, Nachum. From Chords to Simultaneities: Chordal Indetermi-nacy and the Failure of Serialism, 51-52, 57, 61-62 and 64. Contributions to the Study of Music and Dance, No. 17. Westport, CT: Greenwood Press, 1990.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schorske, Carl

Year: 1985
Complete Citation:
Schorske, Carl. “Mahler et Ives: Archaisme populiste et innovation musicale.” In Colloque Internationale Gustav Mahler 1985, 87-97. Paris, France: Société Gustav Mahler, 1986.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schrade, Leo

Year: 1955
Complete Citation:
Schrade, Leo. “Ives: Phenomenon of Modern Music.” The Trumbull Lecture, New Haven; Yale University, January 17, 1955.
Source: Lecture
Reprints:

Schrade, Leo. “Charles E. Ives: 1874-1954.” <i>Yale Review</i> 44/4 (June 1955): 535-545.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schuller, Gunther

Year: 1970
Complete Citation:
Schuller, Gunther. Jacket notes for “Calcium Light Night.” Columbia MS 7318, 1970.
Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works

Schwarm, Betsy

Year: 2019
Complete Citation:
Schwarm, Betsy. “Three Places in New England.” Encyclopædia Britannica, 2019.
Source: Encyclopedia Article
IV. Individual Studies by Genre
A. Orchestral and Band Works

Seeger, Charles

Year: 1934
Complete Citation:
Seeger, Charles. “On Proletarian Music.” Modern Music XI 3 (March-April 1934): 121-127.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Serebrier, José

Year: 1975
Complete Citation:
Serebrier, José. “The ‘Unplayable’ Fourth Symphony of Ives.” American Music Teacher, vol. 24, no. 3, (1975): 8-10.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Serebrier, José. “The Everest of Symphonies.” BMI: Many Worlds of Music 4 (1984): 36-37.
Notes:

Reminisces about the premiere and subsequent perfor-mances of Symphony No. 4.

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works