Nushi, Dafina Zeqiri
Year: 2011
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls
Year: 1996
Complete Citation:
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls. “Panel Discussion: Charles Ives: The Unanswered Question.” The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.Source: Panel Discussion
IV. Individual Studies by Genre
A. Orchestral and Band Works
Olson, Kenneth E.
Year: 1981
Complete Citation:
Olson, Kenneth E. Music and Muskets: Bands and Bandsmen of the American Civil War, 83. Contributions to the Study of Music and Dance, 1. Westport, CT: Greenwood Press, 1981.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Orrey, Leslie
Year: 1975
Complete Citation:
Orrey, Leslie. Programme Music: A Brief Survey from the Sixteenth Century to the Present Day. London, United Kingdom: Davis-Poynter, 1975.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Panel Discussion
Year: 1996
Complete Citation:
“Rethinking Charles Ives: Issues of Psychology and Politics.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Parker, Imogen
Year: 2008
Complete Citation:
Parker, Imogen. “The Time of Music: The Music of Time.” Critical Quarterly 50, no. 3 (2008): 43-76.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Patterson, Frank
Year: 1927
Complete Citation:
Patterson, Frank. “The Circus.” Musical Courier. February 10, 1927, 28.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Perlis, Vivian, Carol Baron, Michael Broyles, and Jan Swafford, panelists
Year: 1996
Complete Citation:
Perlis, Vivian, Carol Baron, Michael Broyles, and Jan Swafford, panelists. “Arts, Business, and Politics [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 46-48. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Pergament, Moses
Year: 1933
Complete Citation:
Pergament, Moses. “Fourth of July.” Svenska Dogbladet [Stockholm], November 1933, 35.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Peters, P.
Year: 1985
Complete Citation:
Peters, P. “Als een rijzweep in een automobiel: een cultuur sociologische analyse van de sociale en politieke theorieën van Charles E. Ives (1874-1954).” Groningen, Netherlands: 1985.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Phelps, Thomas
Year: 1997
Complete Citation:
Phelps, Thomas. “‘As I Look Back on These Times’—über Charles Ives und seine Musik in drei Satze.” In Musik/Revolution: Festschrift für Georg Knepler zum 90. Geburststag, edited by Hanns--Werner Heister, 209-240. Volume 2. Hamburg, Germany: Von Bockel Verlag, 1997.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Porter, David
Year: 1998
Complete Citation:
Porter, David. “Reconstructing the Emerson Concerto.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints: “Reconstructing the Emerson Concerto.” College Music Symposium (1999) 39: 27--42.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Porter, David G.
Year: 1998
Complete Citation:
Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.Source: Unpublished commentary.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Porter, David Gray
Year: 1980
Complete Citation:
Porter, David Gray. “The Third Orchestral Set of Charles Edward Ives.” M.A. thesis, California State University, Fullerton, 1980.Source: M.A. Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Pozzi, Raffaele
Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Rathert, Wolfgang
Year: 1982-1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives: Symphonie Nr. 4, 1911-1916.” Neuland 3 (1982-83): 226-241.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives, Symphonie Nr. 4 (1910-1916).” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Rathert, Wolfgang. “Paysage imaginaire et perception totale: L’idée et la forme de la symphonie Universe.” Contrechamps 7 (1986): 129-154.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Charles Ives: ‘Robert Browning Overture’.” Neue Zeitschrift für Musik 148/4 (1987): 28-31.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zur Entwicklung des symphonischen Werks von Charles Ives.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart”: Kongreßbericht Köln, 1988, edited by Klaus Wolfgang Niemöller. Regensburg, Germany: Gustav Bosse, 1990.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works