Ferris, William R. and Mary L. Hart
Year: 1982
Complete Citation:
Ferris, William R. and Mary L. Hart. “Charles Ives: Victorian gentleman or American folk hero?” In Folk music and modern sound. Jackson: University Press of Mississippi, 1982.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Fink, Lea
Year: 2011
Complete Citation:
Fink, Lea. “Identitäts(Er)Findung Der Amerikanischen Musikgeschichte: Charles Ives.” In Identität - Alterität - Musik, Vol. 4, edited by Annegret Huber et al., 83-98. Vienna, Austria: Hollitzer Verlag, 2011.Source: Journal
VI. Topical Studies
L. Ives and America
Finkelstein, Sydney
Year: 1960
Complete Citation:
Finkelstein, Sydney. Composer and Nation: The Folk Heritage of Music, 237-243. London, United Kingdom: Lawrence & Wishart, 1960.Source: Book
VI. Topical Studies
L. Ives and America
Fitelberg, Jerzy
Year: 1932
Complete Citation:
Fitelberg, Jerzy. “Review of Ives’ ‘Second Suite.’” Modern Music, Vol. 9, No. 4 (May 1932).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Fletcher, Lucille.
Complete Citation:
Fletcher, Lucille. “A Connecticut Yankee in Music.” Charles Ives Papers. Box 56. Irving S. Gilmore Music Library, Yale University.Notes: Unpublished article for the New Yorker Magazine, Charles Ives Papers at Yale University, Box 56. Nearly every page has additions and corrections in Ives’s hand, and some passages were actually written by Ives.<br>
Source: Unpublished article
VI. Topical Studies
L. Ives and America
Franceschini, Romulus
Year: 1965
Complete Citation:
Franceschini, Romulus. “A Postscript on Ives's Fourth.” American Record Guide 32/3 (November 1965): 223.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Frank, Serge
Year: 1946
Complete Citation:
Frank, Serge. “The Symphony.” Listen: The Guide to Good Music (July 1946).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Gail, Dorothea
Year: 2005
Complete Citation:
Gail, Dorothea. “The Second Movement of Charles Ives’s Fourth Symphony: An Analytical Approach to Form and Structure.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives Fourth Symphony: Quellen - Analyse - Deutung. Bd. 3. Hofheim, Germany: Wolke-Verlag, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives’ Fourth Symphony. Hofheim, Germany: Wolke, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Galt, Martha Caroline
Year: 1943
Complete Citation:
Galt, Martha Caroline. Know Your American Music: A Handbook. Augusta, ME: Kennebee Journal Print Shop, 1943.Source: Book
Reprints: Ithaca, NY: National Federation of Music Clubs, 1945.
VI. Topical Studies
L. Ives and America
Gann, Kyle
Year: 1996
Complete Citation:
Gann, Kyle. “Master of the Universe.” Village Voice 41/23, June 4, 1996, 58. Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Gann, Kyle. “Now in Technicolor.” Village Voice 41/11, March 12, 1996, 66.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation:
Gann, Kyle. American Music in the Twentieth Century. New York, NY: Prentice Hall International, 1997.Source: Book
VI. Topical Studies
L. Ives and America
Year: 2004
Complete Citation:
Gann, Kyle. “Conservative Praise: Saving Charles Ives’s Symphonies from His Fans.” Symphony 55/3 (May-June 2004): 13--17.Notes: Makes a strong case for performances of the first three symphonies.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Gann, Kyle. “Music: Reconstructing The Universe.” The Village Voice, Vol. 50, No. 37. September 6, 2005: 90.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Garland, Peter
Year: 1982
Complete Citation:
Garland, Peter. Americas: Essays on American Music and Culture, 1973-80, 32-52, 65-116, 109. Santa Fe, NM: Soundings Press.Notes: In “American Piano: An Appreciation” (32-52), the author appreciates “the Ives piano music, [because of] how its complexity, enclosed in the scope of a keyboard, mirrors that of a full orchestra.” In his “Oaxacan Journal” (65-116), he refers to Tone Roads, From the Steeples and the Mountains, and General William Booth Enters into Heaven and he argues that “Ives totally revolutionized the art song” (109).
Source: Section in Book
VI. Topical Studies
L. Ives and America
Garrett, Charles Hiroshi
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. Struggling to Define a Nation: American Music and the Twentieth Century. Berkeley, CA: University of California Press, 2008.Source: Book
VI. Topical Studies
L. Ives and America
Gaudibert, Eric
Year: 1991
Complete Citation:
Gaudibert, Eric. “A propos de From the steeples and the mountains d’lves.” Dissonanz/Dissonance 29 (August 1991): 14-15.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Geselbacht, Raymond H.
Year: 1974
Complete Citation:
Geselbacht, Raymond H. “Evolution and the New World Vision in the Music of Charles Ives.” Journal of American Studies 8 (1974): 211-227.Source: Journal
VI. Topical Studies
L. Ives and America