decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Battisti, Frank, and Donald Hunsberger

Year: 1973
Complete Citation:
Battisti, Frank, and Donald Hunsberger. “The Wind Music of Charles Ives.” The Instrumentalist Vol. 28, No. 1 (August 1973): 32-34.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Beal, Amy

Year: 2003
Complete Citation:
Beal, Amy. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no. 4 (Winter 2003): 474-513.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beal, Amy C.

Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society (Spring 2000) 53/1: 105-135.
Notes:

Translation by Amy C. Beal, p. 128-135.

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society, vol. 53, no. 1 (2000): 105-139.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2003
Complete Citation:
Beal, Amy C. 2003. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no.4 (Winter): 474-513.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
Beal, Amy. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Berkeley, CA: University of California Press, 2006.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beck, Nora M.

Year: 1993
Complete Citation:
Beck, Nora M. “An Examination of Gender in Selected Writ-ings and Music of Charles Ives.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beckwith, John

Year: 1977
Complete Citation:
Beckwith, John. “Reflections on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 230-232. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bellamann, Henry

Year: 1927
Complete Citation:
Bellamann, Henry. Program Notes to Ives's Fourth Symphony. Pro Musica Concert, January 29, 1927.
Source: Program Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works

Berger, Melvin

Year: 1995
Complete Citation:
Berger, Melvin. “Charles Ives.” In The Anchor guide to orchestral masterpieces. New York, NY: Anchor Books, 1995.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Bernstein, Leonard

Year: 1960
Complete Citation:
Bernstein, Leonard. Liner notes for Charles Ives — Symphony No. 2. Leonard Bernstein, New York Philharmonic. Columbia Masterworks, KS 6155, 1960, 33.3 RPM.
Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1982
Complete Citation:
Bernstein, Leonard. “Speech to die National Press Club.” In Findings, 160-162. New York, NY: Doubleday, 1982.
Source: Book
V. General Music Studies
S. Reception Studies and Related Scholarship

Block, Geoffrey and J. Peter Burkholder, eds.

Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. “Contemporary Views of Ives and His Music: Profiles 1932-1955.” In Charles Ives and His World, 363-442. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Blum, Robert Stephen

Year: 1977
Complete Citation:
Blum, Robert Stephen. “Ives’s Position in Social and Musical History.” The Musical Quarterly 63 (1977): 459-482.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Blum, Stephen

Year: 1985
Complete Citation:
Blum, Stephen. “Charles Ives and American Ethnomusicology.” Paper presented at Joint annual meeting of AMS and SEM. Vancouver, Canada, 1985.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bolcom, William

Year: 1976
Complete Citation:
Bolcom, William. “The Old Curmudgeon’s Corner.” Musical Newsletter 4/4 (1976): 20-21.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Borum, Poul

Year: 1996
Complete Citation:
Borum, Poul. “Musikkens Borum.” Dansk Musik Tidsskrift, Vol. 70, No. 5 (1996): 160-166.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bowen, Meirion

Year: 1979
Complete Citation:
Bowen, Meirion. “On the long misunderstanding of Charles Ives.” The Guardian, April 17, 1979, 8.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Brady, Tim

Year: 1995
Complete Citation:
Brady, Tim. “Death of a Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.
Notes:

Closes with a quotation from the “Epilogue” of Essays Before a Sonata.

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1995
Complete Citation:
Brady, Tim. “Death of the Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship