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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ghandar, Ann

Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in emerson.” Musicology Australia, Vol. 6, Issue 1 (1980): 111-127.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gilman, Lawrence

Year: 1927
Complete Citation:
Gilman, Lawrence, “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune, January 31, 1927.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1927
Complete Citation:
Gilman, Lawrence. “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune. January 31, 1927.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gilmore, Bob

Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Glahn, Denise von

Year: 2004
Complete Citation:
Glahn, Denise von. “Musikalische Stadtlandschaft: Central Park in the Dark.” In Musik-Konzepte 123 —Charles Ives, edited by Ulrich Tadday, 89-108. Munich, Germany: Edition Text und Kritik, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Goodman, Alan

Year: 2005
Complete Citation:
Goodman, Alan. “A Bassoon Lite, Please... Eyeballing Mehta.” The Double Reed, Vol. 28, No. 4 (2005): 109-110.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Goosens, Eugene

Year: 1943
Complete Citation:
Goosens, Eugene. “The Public:- Has It Changed?” Modern Music 20/2 (Jan-uary-February 1943): 72--73.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Gould, Glenn

Year: 1965
Complete Citation:
Gould, Glenn. “The Ives Fourth.” High Fidelity/Musical America (1965): 96.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gratovich, Eugene

Year: 2004
Complete Citation:
Gratovich, Eugene. “Play It!: “Decoration Day” by Charles Ives (1912).” Strings, Vol. 19, No. 3 (2004): 24-25.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Greenberg, Robert

Year: 2004
Complete Citation:
Greenberg, Robert. “Lecture 19: Charles Ives.” In The Symphony. Chantilly, VA: Teaching Company, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hale, William

Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hall, David

Year: 1965
Complete Citation:
Hall, David. “Premiere and Cultural Turning Point: Charles Ives’ Fourth Symphony: An Account of the History and Preparation of the Score, the Problematic Rehearsals, and the First Performance of an Almost Legendary Work.” HiFi/Stereo Review Review, July 1965), 55-58.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hanson, Howard

Year: 1927
Complete Citation:
Hanson, Howard. “Of Critics, Publishers and Patrons.” Modern Music IV, 2 (January-February 1927): 28-31.
Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship

Harbaum, Darrell

Year: 1991
Complete Citation:
Harbaum, Darrell. “Style Traits and Compositional Techniques as Found in the Symphonies.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hawes, Peter

Year: 1998
Complete Citation:
Hawes, Peter. “Learning to Love a Cranky Composer.” Yale Alumni Magazine (March 1998).
Notes:

A report of a pre-concert talk prior to a performance by the National Symphony Orchestra at the University of Arizona’s Centennial Hall in Tucson by Leonard Slatkin, the orchestra’s conductor. The Unanswered Question was on the program that evening. Slatkin’s remarks about Ives and Symphony No. 4 are somewhat negative. A general article prompted by the awarding of the first Charles Ives Living to Martin Bresnick.

Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Heister, Hanns Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Zu musikgeschichter Stellung und musik- asthetischen Stellenwert von Ives: ‘Amerikanischer’ Komponist und internationale 'Neue Musik.’” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 9-24. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Helms, Hans G.

Year: 1975-1976
Complete Citation:
Helms, Hans G. “Hommage zum 100. Geburtstag.” Student Musicologists at Minnesota (1975-1976): 95-127.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Henahan, Donal

Year: 1986
Complete Citation:
Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.
Notes:

Response to “Who Owns American Music?”

Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1987
Complete Citation:
Henahan, Donal. 1987. “Is an Icon Becoming a Has--Been?” New York Times, April 5.
Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship

Henahan, Donald

Year: 1974
Complete Citation:
Henahan, Donald. “Composers Uncommemorated.” The Atlanta Constitution, July 6, 1974, 6T.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship