Reinhard, Johnny
Year: 2005
Notes: An article explaining some of the decisions the author/conductor made in preparing a "realization" of the Universe Symphony for performance.
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Rescigno, Eduardo
Year: 1967
Complete Citation:
Rescigno, Eduardo. “Ascoltando il disco: [Charles Edward Ives] Holi-days Symphony.” La Musica Moderna 1/26 (1967): 158--160.Notes: Discussion of “A Symphony: New England Holidays” for the inserted recording.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Robinson, Edward
Year: 1930
Complete Citation:
Edward Robinson. “Fourth Symphony, Second Movement.” American Mercury XXI, 83 (November 1930): 378.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Roedel, Astrid
Year: 1995
Complete Citation:
Roedel, Astrid. “Fragen und Antworten in der Musik Charles Ives ‘The Unanswered Question’: Annäherung an das Werk sowie Überlegungen zur Behandlung in der Mittel und Oberstufe.” Musik in der Schule 4 (July/August): 192-198.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Rothstein, Edward
Year: 1980
Complete Citation:
Rothstein, Edward. “Ives Country.” The New York Times, August 22, 1980, sec. C, 8.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Rottermund, Krzysztof
Year: 1989
Complete Citation:
Rottermund, Krzysztof. “Filozofia, estetyka i warsztat w utworze Charlesa Ivesa The Unanswered Question." Zeszyty naukowe 28 (1989): 199-202.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Sanders, Donald
Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Sarch, Kenneth
Year: 1966
Complete Citation:
Sarch, Kenneth. “The Village Band Becomes a Symphony.” Selmer Bandwagon (November 1966) 14/4: 19--21.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Schatt, Peter W.
Year: 1991
Complete Citation:
Schatt, Peter W. “Charles Ives…‘Central Park in the Dark.’ Sekundarstufe II.” Musik in der Schule 2/7 (1991): 47.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Schmidtals, Lenard
Year: 2004
Complete Citation:
Lenard Schmidtals. “Einige kompositorische Verfahren in Central Park in the Dark.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 149-156. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Schnepel, Julie
Year: 1995
Complete Citation:
Schnepel, Julie. “The Critical Pursuit of the Great American Symphony, 1893-1950.” Ph.D. diss., Indiana University, 1995, 527-541.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works
Schorske, Carl
Year: 1985
Complete Citation:
Schorske, Carl. “Mahler et Ives: Archaisme populiste et innovation musicale.” In Colloque Internationale Gustav Mahler 1985, 87-97. Paris, France: Société Gustav Mahler, 1986.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Schuller, Gunther
Year: 1970
Complete Citation:
Schuller, Gunther. Jacket notes for “Calcium Light Night.” Columbia MS 7318, 1970.Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Schuman, William
Year: 1940-1941
Complete Citation:
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.Notes: A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Schwarm, Betsy
Year: 2019
Complete Citation:
Schwarm, Betsy. “Three Places in New England.” Encyclopædia Britannica, 2019.Source: Encyclopedia Article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Serebrier, José
Year: 1975
Complete Citation:
Serebrier, José. “The ‘Unplayable’ Fourth Symphony of Ives.” American Music Teacher, vol. 24, no. 3, (1975): 8-10.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Serebrier, José. “The Everest of Symphonies.” BMI: Many Worlds of Music 4 (1984): 36-37.Notes: Reminisces about the premiere and subsequent perfor-mances of Symphony No. 4.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Shepherd, Arthur
Year: 1953
Complete Citation:
Shepherd, Arthur. “American Orchestral Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 1-14. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Sherman, R.
Year: 1981
Complete Citation:
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Shirley, Wayne
Year: 1989
Complete Citation:
Shirley, Wayne. “Once More through The Unanswered Question.” Institute for Stud-ies in American Music Newsletter 18/2 (May 1989): 8-9, 13.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works