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Bibliography

Genres

Pozzi, Raffaele

Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Rathert, Wolfgang

Year: 1982-1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives: Symphonie Nr. 4, 1911-1916.” Neuland 3 (1982-83): 226-241.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives, Symphonie Nr. 4 (1910-1916).” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Rathert, Wolfgang. “Paysage imaginaire et perception totale: L’idée et la forme de la symphonie Universe.” Contrechamps 7 (1986): 129-154.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Charles Ives: ‘Robert Browning Overture’.” Neue Zeitschrift für Musik 148/4 (1987): 28-31.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zur Entwicklung des symphonischen Werks von Charles Ives.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart”: Kongreßbericht Köln, 1988, edited by Klaus Wolfgang Niemöller. Regensburg, Germany: Gustav Bosse, 1990.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zum symphonischen Werk von Charles Ives.” In Charles Ives und die amerikanische Musiktradition bis zur Gegenwart, 53-72. Cologne, Germany: University of Cologne, 1988.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Auratische Form und Lebenswirklichkeit—Zu Charles Ives’ Orchestral Set No. 2 (1909--1919).” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 138-148. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Reinhard, Johnny

Year: 2004
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Notes:

An article explaining some of the decisions the author/conductor made in preparing a "realization" of the Universe Symphony for performance.

Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works

Rescigno, Eduardo

Year: 1967
Complete Citation:
Rescigno, Eduardo. “Ascoltando il disco: [Charles Edward Ives] Holi-days Symphony.” La Musica Moderna 1/26 (1967): 158--160.
Notes:

Discussion of “A Symphony: New England Holidays” for the inserted recording.

Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Riemann, Hugo

Year: 1968
Complete Citation:
Riemann, Hugo. Riemann Musik Lexikon, edited by Wilibald Gurlitt, 857--858. Vol. 1. 12th ed. Mainz, Germany: B. Schott, 1968.
Notes:

A compact, but useful, unsigned article with a substantial list of works and a brief biography.

Source: Book/Encyclopedia
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Robinson, Edward

Year: 1930
Complete Citation:
Edward Robinson. “Fourth Symphony, Second Movement.” American Mercury XXI, 83 (November 1930): 378.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Roedel, Astrid

Year: 1995
Complete Citation:
Roedel, Astrid. “Fragen und Antworten in der Musik Charles Ives ‘The Unanswered Question’: Annäherung an das Werk sowie Überlegungen zur Behandlung in der Mittel und Oberstufe.” Musik in der Schule 4 (July/August): 192-198.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Rottermund, Krzysztof

Year: 1989
Complete Citation:
Rottermund, Krzysztof. “Filozofia, estetyka i warsztat w utworze Charlesa Ivesa The Unanswered Question." Zeszyty naukowe 28 (1989): 199-202.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Routh, Francis

Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.
VII. Entries in Larger Volumes
A. Textbook Accounts

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Chapter in Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts

Saminsky, Lazare

Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts