Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva
Year: 2001
Complete Citation:
Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva. Superposicion y Gradualidad en Hallowe’en de Charles Ives. Research Group on Musical Analysis at the University of La Plata, Argentina. La Plata, Argentina: Editorial de la Universidad de La Plata, 2001.Notes: Translates to Superposition and Gradualism in Hallowe’en by Charles Ives
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Ewen, David
Complete Citation:
Ewen, David. David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 2, 6, 105, 190, 282. New York, NY: Chilton Publishing, 1969.Notes: Additional mentions of Charles Ives.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1952
Complete Citation:
Ewen, David. “Charles Ives.” In The complete book of 20th century music. New York, Prentice-Hall, 1952.Notes: 1959 edition discusses Symphony No. 3 (“The Camp Meeting”) and Three Places in New England. The author states that the 1968 edition is a replacement for the previous title. A brief biographical comments; compact discussions of 114 Songs', From the Steeples and the Mountains; Symphonies Nos. 2, 3, 4; Three Places in New England; Sonata No. 2, "Concord, Mass., 1840-1860," for piano; and Quartet No. 2; with considerable information regarding premieres.
Source: Chapter in Book
Reprints: Ewen, David. “Charles Ives.” In <i>The complete book of 20th century music</i>. New York, Prentice-Hall, 1959. * Ewen, David. <i>The World of Twentieth-Century Music</i>, 177, 394-403. Engle-wood Cliffs, NJ: Prentice-Hall, 1968:
VII. Entries in Larger Volumes
A. Textbook Accounts
Feder, Stuart
Year: 1983
Complete Citation:
Feder, Stuart. "Charles Ives and the Unanswered Question.” In The Psychoanalytic Study of Society edited by Werner Munsterberger, L. Bryce Boyer, and Simon A. Grolnick, 321-351. Volume 10 of The Psychoanalytic Study of Society. Hillsdale, NJ: The Analytic Press, 1983.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Feder, Stuart. “Hanover Square ‘Accordion’ to Charles Ives.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.Source: Conference Paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Feinberg, Alan
Year: 1999
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The ‘Emerson Concerto’: An Ulti-mate Statement.” American Record Guide 61/6 (November- December 1999): 6--8.Notes: Gives personal background to performances of Concord Sonata [in London], Study No. 22, and The Celestial Railroad prior to his playing of the premiere of the concerto.
Source: Magazine
Reprints: Feinberg, Alan. “Endless Quest: Ives’s Emerson Concerto Comes to Life.” <i>Symphony</i> 50/1 (January- February 1999): 9-11.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Feith, Michel
Complete Citation:
Feith, Michel. “La Commémoration: Traduction Ou Trahison? (Saint-Gaudens, Ives, Lowell).” Revue Française D'études Américaines, no. 80, (1999): 69-81.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Fennell, Frederick
Year: 1976
Complete Citation:
Fennell, Frederick. “Charles Ives and the Conductor.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.Source: Festival Pamphlet
IV. Individual Studies by Genre
A. Orchestral and Band Works
Finney, Theodore M.
Year: 1935
Complete Citation:
Finney, Theodore M. A History of Music, 601-602. New York, NY: Harcourt, Brace & Howe, 1935,Source: Book
Reprints: Finney, Theodore M. <i>A History of Music</i>, 645. Westport, CT: Greenwood Press, 1947. * Finney, Theodore M. <i>A History of Music</i>. Westport, CT: Greenwood Press, 1976.
VII. Entries in Larger Volumes
A. Textbook Accounts
Fitelberg, Jerzy
Year: 1932
Complete Citation:
Fitelberg, Jerzy. “Review of Ives’ ‘Second Suite.’” Modern Music, Vol. 9, No. 4 (May 1932).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Franceschini, Romulus
Year: 1965
Complete Citation:
Franceschini, Romulus. “A Postscript on Ives's Fourth.” American Record Guide 32/3 (November 1965): 223.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Frank, Serge
Year: 1946
Complete Citation:
Frank, Serge. “The Symphony.” Listen: The Guide to Good Music (July 1946).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Gail, Dorothea
Year: 2005
Complete Citation:
Gail, Dorothea. “The Second Movement of Charles Ives’s Fourth Symphony: An Analytical Approach to Form and Structure.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives Fourth Symphony: Quellen - Analyse - Deutung. Bd. 3. Hofheim, Germany: Wolke-Verlag, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives’ Fourth Symphony. Hofheim, Germany: Wolke, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Gann, Kyle
Year: 1996
Complete Citation:
Gann, Kyle. “Master of the Universe.” Village Voice 41/23, June 4, 1996, 58. Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Gann, Kyle. “Now in Technicolor.” Village Voice 41/11, March 12, 1996, 66.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation:
“Forefathers” Chapter — Gann, Kyle. American Music in the 20th Century. New York: Schirmer, 1997, 7-17 and passim.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 2004
Complete Citation:
Gann, Kyle. “Conservative Praise: Saving Charles Ives’s Symphonies from His Fans.” Symphony 55/3 (May-June 2004): 13--17.Notes: Makes a strong case for performances of the first three symphonies.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Gann, Kyle. “Music: Reconstructing The Universe.” The Village Voice, Vol. 50, No. 37. September 6, 2005: 90.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
