Sender, Shelby L.
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Serebrier, José
Year: 1975
Complete Citation:
Serebrier, José. “The ‘Unplayable’ Fourth Symphony of Ives.” American Music Teacher, vol. 24, no. 3, (1975): 8-10.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Serebrier, José. “The Everest of Symphonies.” BMI: Many Worlds of Music 4 (1984): 36-37.Notes: Reminisces about the premiere and subsequent perfor-mances of Symphony No. 4.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Service, Jr., Alfred Roy
Year: 1958
Complete Citation:
Service, Jr., Alfred Roy. “A Study of the Cadence as a Factor in Musical Intelligibility in Selected Piano Sonatas by American Composers.” Ph.D. diss., University of Iowa, 1958.Notes: Ives is one of seven-teen composers discussed.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Shepherd, Arthur
Year: 1953
Complete Citation:
Shepherd, Arthur. “American Orchestral Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 1-14. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Sherwood, Gayle D.
Year: 1995
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, reception.” Ph.D. Dissertation, Yale University,1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Shirley, Wayne
Year: 1989
Complete Citation:
Shirley, Wayne. “Once More through The Unanswered Question.” Institute for Stud-ies in American Music Newsletter 18/2 (May 1989): 8-9, 13.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Shirley, Wayne D.
Year: 1990
Complete Citation:
Shirley, Wayne D. ““The second of July”: a Charles Ives draft considered as an independent work.” In A Celebration of American music: words and music in honor of H. Wiley Hitchcock, edited by Richard Crawford, R. Allen Lott, and Carol J. Oja, 391-404. Ann Arbor: University of Michigan Press, 1990.IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1992
Complete Citation:
Shirley, Wayne D. Preface. In Charles E. Ives, The Fourth of July: Third Movement of A Symphony: New England Holidays, iii--vii. Charles Ives Society Critical Edition. Milwaukee, WI: Associated Music Publishers, 1992.Source: Preface to score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Shultis, Christopher L.
Year: 1993
Complete Citation:
Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Sinclair, James B.
Year: 2000
Complete Citation:
Sinclair, James B. Liner notes for The Orchestral Music of Charles Ives. Premieres and New Ives Society Critical Editions, Orchestra New England. Koch International Classics, 3-7025-2, 2000, CD.Source: CD Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works
Singleton, Kenneth
Year: 1974
Complete Citation:
Singleton, Kenneth. Liner notes for Old Songs Deranged, Charles Ives Music for Theater Orchestra. Yale Theater Orchestra; James Sinclair, conductor. Columbia M32969 (1974).Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Singleton, Kenneth. “The Wind Music of Charles Ives.” Paper-presentation, Music Teachers National Association meeting, Portland OR, April 5-11, 1986.Notes: Recorded on audio cassette tape, labelled MTNA-312.
Source: Lecture
IV. Individual Studies by Genre
A. Orchestral and Band Works
Skinner, Myles L.
Year: 2007
Complete Citation:
Skinner, Myles L. “Toward a Quarter -Tone Syntax: Analyses of Selected Works by Blackwood, Hába, Ives, and Wyschnegradsky.” Ph.D. diss., University of Buffalo, 2007.Source: Ph. D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Slonimsky, Nicolas
Year: 1988
Complete Citation:
Slonimsky, Nicolas. “Three Places in New England.” Symphony Maga-zine 39/2 (1988): 28-30.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Smith, Norman E.
Year: 2000
Complete Citation:
Smith, Norman E. “Ives, Charles.” In Program notes for band. Lake Charles, LA: Program Note Press, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Snapp, Kenneth
Year: 1977
Complete Citation:
Snapp, Kenneth. “Build a Band—And Educate It, Too.” The Instrumentalist 32 (September 1977): 52-53.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Sole, Kenneth Gale
Year: 1976
Complete Citation:
Sole, K. G. A Study and Performance of Five Psalm Settings and “The Celestial Country” by Charles Edward Ives.” D.M.A. diss., University of Southern California, 1976.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Stedman, Preston
Year: 1979
Complete Citation:
Stedman, Preston. The Symphony. Englewood Cliffs, NJ: Prentice-Hall, 1979.Notes: Only passing references. Expanded coverage in second edition.
Source: Book
Reprints: Stedman, Preston. <i>The Symphony</i>, 350-365. 2nd ed. Englewood Cliffs, NJ: Prentice-Hall, 1992.
IV. Individual Studies by Genre
A. Orchestral and Band Works