Wolf, Henry Samuel
Year: 1957
Complete Citation:
Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.Notes: Ives is one of eight com-posers whose sonatas are discussed.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Young III, Harmon Griffith
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Zimmermann, Walter and Larry Austin
Year: 1981
Complete Citation:
Austin, Larry and Walter Zimmermann. “Gespräch fiber die Rekonstruktion von Ives’ «Universe Symphony.»” Insel Music, edited by Walter Zimmermann. Cologne, Germany: Beginners Press, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Zobel, Mark
Year: 2006
Complete Citation:
Zobel, Mark. “Musical Borrowing and Religious Symbolism in Charles Ives’s Third Symphony.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Zobel, Mark. The Third Symphony of Charles Ives. Hillsdale, NY: Pendragon Press, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Zobel, Mark A.
Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.Notes: The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
no author listed
Year: 1932
Complete Citation:
“Contemporary American Music Heard.” New York Herald Tribune. May 2, 1932: 8.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1933
Complete Citation:
“4th Symphony.” Trend 2 (September-October 1933): 20.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1966
Complete Citation:
“Essays Before a Sonata: Prologue.” Boston Symphony Orchestra Programs. Eighth Program (November 25 and 26, 1966): 495-496, 498, 500-501, 503, 505.Source: Concert Program
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1977
Complete Citation:
“On conducting and performing Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
“Ivan Hewett’s Classic 50 no. 21: Ives - the Housatonic at Stockbridge; the Latest in Ivan Hewett’s 50-Part Series on Short Works by the World’s Greatest Composers.” The Telegraph Online, May 9, 2013.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2014
Complete Citation:
“Spirit of Charles Ives.” Symphony, Vol. 65, No. 1 (2014): 8.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works