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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
(-) IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Maisel, Arthur

Year: 1989
Complete Citation:
Maisel, Arthur. “Conference: Ives.” Musical Times 130/106 (February 1989): 107.
Notes:

Report on meeting of the New York Chapter of the American Musicological Society in the Sulzburger Parlour of Barnard College, Columbia University, New York. Session regarding claims set forth by Maynard Solomon. H. Wiley Hitchcock, moderator, with a panel of James Sinclair, Paul Echols, Philip Lambert, J. Peter Burkholder, and Vivian Perlis. Solomon was present to respond.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Marsh, Robert C.

Year: 1967
Complete Citation:
Marsh, Robert C. The Cleveland Orchestra. Cleveland, OH: World Pub-lishing, 1967.
Notes:

Cites performances of From the Steeples and the Mountains, Scherzo: Over the Pavements,Symphony No. 2, The Unanswered Question, and Variations on “America” (orchestrated by William Schuman). Numerous passing remarks about Ives, especially the re-pertoire performed by the Cleveland Orchestra.

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Matter, Lothar

Year: 1988
Complete Citation:
Mattner, Lothar. “Komponierren ohne Heiligenschein: Kölner Festival: ‘Charles Ives und die amerikanische Musik.’” Neue Zeitschrift für Musik 149 (May 1988): 46.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

McDonald, Matthew

Year: 2004
Complete Citation:
McDonald, Matthew. “Silent Narration? Elements of Narrative in Ives's The Un-answered Question.” 19th-Century Music 27/3 (2004): 263-286.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

McLellan, Joseph

Year: 1974
Complete Citation:
McLellan, Joseph. “Unanswered Questions: Abounding Unanswered Questions about Charles Ives.” The Washington Post, October 20, 1974, E1.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
Year: 1975
Complete Citation:
McLellan, Joseph. “Centennial: Schoenberg and Ives: Recordings Two Record Centennials: Schoenberg and Ives.” The Washington Post, August 24, 1975, 145.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary

Melick, Jennifer

Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mellers, Wilfrid

Year: 1985
Complete Citation:
Mellers, Wilfrid. “Almeida Theatre Festival.” Musical Times 126/1710 (August 1985): 478-479.
Notes:

Discusses Ives's works in general.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Mercado, Mario

Year: 2004
Complete Citation:
Mercado, Mario. “Ives: The View from the Podium.” In Charles Ives: An American Original in Context, 28, 30. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.
Source: Program Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works

Meredith, Austin

Year: 1997
Complete Citation:
Meredith, Austin. “Brant’s Adaptation of Ives's ‘Concord, Mass., 1840-1860.’” The Thoreau Society Bulletin, no. 220 (1997): 3.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Metcalf, Steve

Year: 1996
Complete Citation:
Metcalf, Steve. “A Cause for Celebrity Demystifying Charles Ives, An Often Overlooked Native Son: Statewide Edition 1.” The Hartford Courant, September 30, 1996.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Metzer, David, moderator

Year: 2005
Complete Citation:
Metzer, David, moderator. “Ives.” Panel at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.
Source: Conference
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Meyer, Alfred H.

Year: 1932
Complete Citation:
Meyer, Alfred H. “Yaddo—a May Festival.” Modern Music 9 (May-June 1932): 172-176.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Mihura, Brian L.

Year: 1982
Complete Citation:
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Moomaw, Charles J.

Year: 1971
Complete Citation:
Moomaw, Charles J. “A PL/1 Program for the Harmonic Analysis of Music by the Theories of Paul Hindemith and Howard Hanson.” Master’s thesis, University of Cincinnati, 1971.
Source: Master's Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works

Moore, Douglas Stuart

Year: 1948
Complete Citation:
1948 - Douglas S[tuart] Moore. “Columbia University Festival, Contemporary American Music.” Pan Pipes 41/2 (December): 113.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Morgan, Robert P.

Year: 1977
Complete Citation:
Morgan, Robert P. “Spatial Form in Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 145-158. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Morris, Harold

Year: 1932
Complete Citation:
Morris, Harold. “Fourth of July.” Contemporary American Music [Rice Institute, Houston] (April 1932): 5.
Source: Conference Publication
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mueller, John H.

Year: 1951
Complete Citation:
Mueller, John H. The American Symphony Orchestra: A Social History of Musical Taste. Bloomington, IN: Indiana University Press, 1951.
Source: Book
Reprints:

Mueller, John H. <i>Orchestras: A History and Analysis of Their Repertoires, Seasons 1842-43 through 1969-70</i>, 183-184. Bloomington, IN: Indiana University Press, 1973.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Nelson, Mark Douglas

Year: 1984
Complete Citation:
Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works