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Bibliography

Gann, Kyle

Year: 1996
Complete Citation:
Gann, Kyle. “Now in Technicolor.” Village Voice 41/11, March 12, 1996, 66.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Gann, Kyle. “Conservative Praise: Saving Charles Ives’s Symphonies from His Fans.” Symphony 55/3 (May-June 2004): 13--17.
Notes:

Makes a strong case for performances of the first three symphonies.

Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Gann, Kyle. “Music: Reconstructing The Universe.” The Village Voice, Vol. 50, No. 37. September 6, 2005: 90.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gaudibert, Eric

Year: 1991
Complete Citation:
Gaudibert, Eric. “A propos de From the steeples and the mountains d’lves.” Dissonanz/Dissonance 29 (August 1991): 14-15.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gelles, George

Year: 1970
Complete Citation:
Gelles, George. “American Festival No. 27.” [Washington] Sunday Star. April 19, sec. D: 12.
Notes:

Includes a summary of works and performances for the first twenty--six years of the annual festival.

Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Ghandar, Ann

Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in emerson.” Musicology Australia, Vol. 6, Issue 1 (1980): 111-127.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gilman, Lawrence

Year: 1927
Complete Citation:
Gilman, Lawrence. “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune. January 31, 1927.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1927
Complete Citation:
Gilman, Lawrence, “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune, January 31, 1927.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Glahn, Denise von

Year: 2004
Complete Citation:
Glahn, Denise von. “Musikalische Stadtlandschaft: Central Park in the Dark.” In Musik-Konzepte 123 —Charles Ives, edited by Ulrich Tadday, 89-108. Munich, Germany: Edition Text und Kritik, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Goodman, Alan

Year: 2005
Complete Citation:
Goodman, Alan. “A Bassoon Lite, Please... Eyeballing Mehta.” The Double Reed, Vol. 28, No. 4 (2005): 109-110.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gould, Glenn

Year: 1965
Complete Citation:
Gould, Glenn. “The Ives Fourth.” High Fidelity/Musical America (1965): 96.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gratovich, Eugene

Year: 2004
Complete Citation:
Gratovich, Eugene. “Play It!: “Decoration Day” by Charles Ives (1912).” Strings, Vol. 19, No. 3 (2004): 24-25.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Greenberg, Robert

Year: 2004
Complete Citation:
Greenberg, Robert. “Lecture 19: Charles Ives.” In The Symphony. Chantilly, VA: Teaching Company, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Griffiths, Paul

Year: 1996
Complete Citation:
Griffiths, Paul. “Critic’s Notebook: Burnishing Ives's Reputation Yet Again.” The New York Times, November 5, 1996, sec. C, 13.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

H. Wiley Hitchock and Vivan Perlis, eds.

Year: 1977
Complete Citation:
H. Wiley Hitchock and Vivan Perlis, eds. An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference. Urbana, IL: University of Illinois Press, 1977.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Hall, David

Year: 1965
Complete Citation:
Hall, David. “Premiere and Cultural Turning Point: Charles Ives’ Fourth Symphony: An Account of the History and Preparation of the Score, the Problematic Rehearsals, and the First Performance of an Almost Legendary Work.” HiFi/Stereo Review Review, July 1965), 55-58.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Harbaum, Darrell

Year: 1991
Complete Citation:
Harbaum, Darrell. “Style Traits and Compositional Techniques as Found in the Symphonies.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hawes, Peter

Year: 1998
Complete Citation:
Hawes, Peter. “Learning to Love a Cranky Composer.” Yale Alumni Magazine (March 1998).
Notes:

A report of a pre-concert talk prior to a performance by the National Symphony Orchestra at the University of Arizona’s Centennial Hall in Tucson by Leonard Slatkin, the orchestra’s conductor. The Unanswered Question was on the program that evening. Slatkin’s remarks about Ives and Symphony No. 4 are somewhat negative. A general article prompted by the awarding of the first Charles Ives Living to Martin Bresnick.

Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Henck, Herbert

Year: 1987
Complete Citation:
Henck, Herbert. Ives & Co.: 13 Konzerte d. Westdt. Rundfunks Köln im Rahmen d. Internat. Festivals “Charles Ives u. d. amerikan. Musik” in Duisburg 1987/1988. Cologne, Germany: WDR, 1987.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Hermann, Bernard

Year: 1945
Complete Citation:
Hermann, Bernard. “Four Symphonies by Charles Ives.” Modern Music, vol. 22, no. 6 (November-December 1945).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works