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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Grözinger, Jürgen

Year: 2001
Complete Citation:
Grözinger, Jürgen. “The American Way: Das Festival «Neue Musik Im Stadthaus Ulm» 7. Bis 18. Oktober 2001.” Neue Zeitschrift Für Musik, vol. 162, no. 5 (2001): 62-63.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hall, David

Year: 1965
Complete Citation:
Hall, David. “Premiere and Cultural Turning Point: Charles Ives’ Fourth Symphony: An Account of the History and Preparation of the Score, the Problematic Rehearsals, and the First Performance of an Almost Legendary Work.” HiFi/Stereo Review Review, July 1965), 55-58.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hamad, Michael

Year: 2017
Complete Citation:
Hamad, Michael. “Charles Ives Concert Series; Weeklong Music Festival Returns; Opens Today in Danbury.” The Hartford Courant, August 6, 2017.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2017
Complete Citation:
Hamad, Michael. “Weeklong Concert Series Pairs the Music of Charles Ives with Today's Composers.” Hartford Courant, August 1, 2017.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Harbaum, Darrell

Year: 1991
Complete Citation:
Harbaum, Darrell. “Style Traits and Compositional Techniques as Found in the Symphonies.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Harvey, Mark

Year: 2004
Complete Citation:
Harvey, Mark. “A True Original.” The New York Times 2, May 23, 2004, 2.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hawes, Peter

Year: 1998
Complete Citation:
Hawes, Peter. “Learning to Love a Cranky Composer.” Yale Alumni Magazine (March 1998).
Notes:

A report of a pre-concert talk prior to a performance by the National Symphony Orchestra at the University of Arizona’s Centennial Hall in Tucson by Leonard Slatkin, the orchestra’s conductor. The Unanswered Question was on the program that evening. Slatkin’s remarks about Ives and Symphony No. 4 are somewhat negative. A general article prompted by the awarding of the first Charles Ives Living to Martin Bresnick.

Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hayes, Malcolm

Year: 1985
Complete Citation:
Hayes, Malcolm. “Almeida Festival: Antheil, Vivier et al.” Tempo 154 (Sep-tember 1985): 46-49.
Source: Review of Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hermann, Bernard

Year: 1945
Complete Citation:
Hermann, Bernard. “Four Symphonies by Charles Ives.” Modern Music, vol. 22, no. 6 (November-December 1945).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Herrmann, Bernard

Year: 1945
Complete Citation:
Herrmann, Bernard. “Four Symphonies of Charles Ives.” Modern Music 22 (1945): 215-222.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hewett, Ivan

Year: 2013
Complete Citation:
Hewett, Ivan. “The Latest in our Series on Short Works by the World’s Greatest Composers; Ivan Hewett’s Classic 50; no 21 Charles Ives - the Housatonic at Stockbridge.” Daily Telegraph, May 9, 2013, 27.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hines, Robert Stephen, ed.

Year: 1970
Complete Citation:
Hines, Robert Stephen, ed. The Orchestral Composer's Point of View: Essays on Twentieth -Cen-tury Music by Those Who Wrote It, 39-60. Norman, OK: The University of Oklahoma Press, 1970.
Notes:

An untitled essay by Elliott Carter mentions Ives several times (40, 58), indicating the difficulties of performing Ives’s orchestral works as well as the expan-siveness of Ives's orchestral scores. Several passing remarks about Ives in the articles by Ross Lee Finney and Gunther Schuller [Remarks that Ives’s music was not being performed by orchestral musicians in the 1940s.]

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hitchcock, H. Wiley

Year: 1974
Complete Citation:
Hitchcock, H. Wiley. “Report on the Charles Ives Centennial Festival-Conference, 17-21 October 1974.” Newsletter - Institute for Studies in American Music 4, no. 1 (Fall 1974): 1.
Source: Newsletter
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hitchcock, H. Wiley, and Noel Zahler

Year: 1988
Complete Citation:
Hitchcock, H. Wiley, and Noel Zahler. “Just What Is Ives’s Unanswered Question?” Notes 44, No. 3 (March 1988).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hitchock, H. Wiley, and Vivian Perlis, eds.

Year: 1977
Complete Citation:
“Three Realizations of Chromâtimelôdtune.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 87-109. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Holloway, Robin

Year: 1996
Complete Citation:
Holloway, Robin. “Use Your Ears Like a Man.” Spec-tator 276/8740 (January 20, 1996): 42.
Notes:

Ives is unambigu-ously among the great composers.

Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hughes, Allen

Year: 1974
Complete Citation:
Hughes, Allen. “Ives Symphony no. 4 is Eloquent End to Philharmonic Festival.” The New York Times, October 14, 1974, 43.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1974
Complete Citation:
Hughes, Allen. “Ives and Schubert Mini-Festivals Set: Boulez Offers Views Schoenberg ‘Rug’ Concert.” The New York Times, March 6, 1974, 25.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hughes, Edward Dudley

Year: 1996
Complete Citation:
Edward Dudley Hughes. “Dangerous to Know,” review of The Unanswered Question Festival; January 19 to 21: London. Musical Times 137/1838 (April 1996): 28-29.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hume, P.

Year: 1953
Complete Citation:
Hume, P. “Music Festival Introduces Unperformed Ives Symphony.” The Washington Post. April 28, 1953, 33.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series