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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Josephson, Nors S.

Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur Einiger Später Orchesterwerke Von Charles Ives (1874-1954).” Die Musikforschung, vol. 27, no. 1 (1974): 57-64.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984-1985
Complete Citation:
Josephson, Nors S. “The Initial Sketches for Ives’s ‘St. Gaudens in Boston Common’.” Soundings: A Music Journal 12 (1984-1985): 46-63.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kerner, Leighton

Year: 1991
Complete Citation:
Kerner, Leighton. “National Moods.” Village Voice 36, December 24, 1991, 116.
Notes:

Discusses Robert Browning Overture.

Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Keys, Ivor

Year: 1952
Complete Citation:
Keys, Ivor. “Sonata No. 3.” Music & Letters 33, no. 1 (January 1952): 91-92.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Khittl, Christoph

Year: 2008
Complete Citation:
Khittl, Christoph. “Charles Ives (1874-1954), “The unanswered question”: Annäherungen, Aneigungen und Bedeutungskonstruktionen in der Primar- und Sekundarstufe I.” In Ideen und Arbeitsmaterialien für den Musikunterricht, 29 (2008). Konstanz, Germany: VDS-BW, 2008.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kirby, Fred

Year: 1967
Complete Citation:
Kirby, Fred. “Ives Boom Boon to Peer- Southern.” Billboard 79 (April 22, 1967): 32--33.
Notes:

Includes comments from Wladimir Lakond, international director of musical education and serious music department of Peer- Southern. States that Peer- Southern has over 100 copyrights of Ives’s music.

Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kirkland, Anthony B.

Year: 2012
Complete Citation:
Kirkland, Anthony B. “Performance Suggestions for Two Classic Wind Band Excerpts for Trumpet and Cornet Part II.” ITG Journal: The International Trumpet Guild, Vol. 36, No. 4 (2012): 77-80, 100-101.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kirkpatrick, John

Year: 1949
Complete Citation:
Kirkpatrick, John. “Review of ‘Three-Page Sonata,’ [etc.].” Music Library Association Notes, Second Series, Vol. 6, No. 3 (June, 1949).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1965
Complete Citation:
Kirkpatrick, John. Preface to Symphony No. 4, by Charles Ives. New York, New York: Associated Music Publishers, Inc., 1965.
Source: Preface to Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1967
Complete Citation:
Kirkpatrick, John. Liner notes for Morton Gould Conducting the Chicago Symphony Orchestra — Charles Ives — Orchestral Set No. 2 (First Recording). RCA LSC-2959, 1967, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
A. Orchestral and Band Works

Knight, John Wesley

Year: 1979
Complete Citation:
Knight, John Wesley. “Graphic Analyses of the Conducting Techniques for Irregular Meters and Nonmetrical Organizations Found in Selected 20th- century Band Literature.” Ph.D. diss., Louisiana State University, 1979. 
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kohs, Ellis B.

Year: 1952
Complete Citation:
Kohs, Ellis B. “Violin Sonata No. 2.” Notes 9, no. 2 (March 1952): 329-330.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kopetz, Barry E.

Year: 1991
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79. 
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kostelanetz, André and Gloria Hammond

Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.
Notes:

Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kramer, Jonathan D.

Year: 1988
Complete Citation:
Notes:

Includes Charles Ives Symphony No. 2, Symphony No. 4, and Three Places in New England

Source: Book
Reprints:

Kramer, Jonathan D. <i>Listen to the music: a self-guided tour through the orchestral repertoire</i>. New York, NY: Schirmer Books.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Kramer, Lawrence

Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives's A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives’s A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Kramer, Lawrence. “Musique et politique de la mémoire: a symphony: New England holidays de Charles Ives.” In Du politique en analyse musicale, edited by Estaban Buch, Nicolas Donin, and Laurent Feneyrou. Paris, France: VRIN, 2013.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Krider, Dale

Year: 2012
Complete Citation:
Krider, Dale. “Musicians in Part-Time Employment: Do Only Organists Play the Organ?” The American Organist, Vol. 46, No. 6 (2012): 50.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lambert, J. Philip

Year: 1985
Complete Citation:
Lambert, J. Philip. Review of Ives Three Improvisations, transcribed and edited by Gailand James Dapogny (Associated, 1984) and The Unanswered Question, critical edition by Paul C. Echols and Noel Zahler (Peer, 1985). Notes 44, no. 2 (December 1987): 352-355.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions