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Bibliography

Lambert, J. Philip

Year: 1987
Complete Citation:
Lambert, J. Philip. “Reviewed Works: Three Improvisations by Charles Ives, Gail Dapogny, James Dapogny; The Unanswered Question; For Trumpet, Flute Quartet, and Strings by Charles Ives, Paul C. Echols, Noel Zahler.” Notes 44, no. 2 (December 1987): 352-355.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1991
Complete Citation:
Lambert, J. Philip. Journal of Musicological Research 1, no. 4 (1991): 237-262.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lambert, Kevin J.

Year: 1997
Complete Citation:
Lambert, Kevin J. “Choral Review: “Psalm 14,” by Charles E. Ives.” Choral Journal, Vol. 37, No. 7 (1997): 57.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Lambert, Philip

Year: 1997
Complete Citation:
Lambert, Philip. “Ives's Universe.” In Ives Studies, edited by Philip Lambert, 233-259. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lee, Douglas A.

Year: 2002
Complete Citation:
Lee, Douglas A. “Charles Ives.” In Masterworks of 20th-century music: the modern repertory of the symphony orchestra. New York, New York: Routledge, 2002.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lehman, Mark L.

Year: 2007
Complete Citation:
Lehman, Mark L. “Overview: American Symphonies.” American Record Guide, Vol. 70, No. 4 (2007): 40-55.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Leichtentritt, Hugo

Year: 1946
Complete Citation:
Leichtentritt, Hugo. Serge Koussevitsky, the Boston Symphony Orches-tra and the New American Music. Cambridge, MA: Harvard University Press, 1946.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lindner, Ursel

Year: 2004
Complete Citation:
Lindner, Ursel. “Neue Kunst in der Neuen Welt, Charles Ives: Central Park in the Dark 1911.” In Musik im Kontext. Innsbruck, Austria: Helbling Publishing, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Linn, Tammy

Year: 2010
Complete Citation:
Linn, Tammy. Variations on “America” for Violin and Piano by Charles Ives, arranged by Daniel Dorff. American String Teacher, Vol. 60, No. 1 (2010): 71-72.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Lowens, Irving

Year: 1956
Complete Citation:
Lowens, Irving. “Twelve Songs and Fourteen Songs.” Notes 13, no. 2 (March 1956): 354-355.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Luck, Hartmut

Year: 2004
Complete Citation:
Luck, Hartmut. “Visionen einer andern Wirklichkeit: Die symphonischen Werke von Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 123-137. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lyman, Zachary

Year: 2010
Complete Citation:
Lyman, Zachary. “Realizing Ives's Universe Symphony: An Interview with Johnny Reinhard.” American Music, vol. 28, no. 4, (2010): 459-480.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lyman, Zachary and Larry Austin

Year: 2008
Complete Citation:
Lyman, Zachary, and Larry Austin. “Completing Ives's Universe Symphony: An Interview with Larry Austin.” American Music, vol. 26, no. 4 (2008): 442-473.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Magee, Gayle

Year: 2005
Complete Citation:
Magee, Gayle Sherwood. 2005. “Review of Charles Ives, 129 Songs, edited by H. Wiley Hitchcock.” Institute for Studies in American Music Newsletter 34, no. 2 (Spring 2005): 11, 15.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Magers, Roy V.

Year: 1977
Complete Citation:
Magers, Roy V. “Charles Ives’s Optimism: or, The Program’s Progress.” In Music in American Society, 1776-1976: from Puritan Hymn to Synthesizer, edited by George McCue, 73-86. New Brunswick, NJ: Transaction Books, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Maisel, Arthur

Year: 1981
Complete Citation:
Maisel, Arthur. “The ‘Fourth of July’ by Charles Ives. Mixed Harmonic Criteria in a 20th-Century Classic.” Theory and Practice VI (1981): 3-32.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Marsh, Robert C.

Year: 1967
Complete Citation:
Marsh, Robert C. The Cleveland Orchestra. Cleveland, OH: World Pub-lishing, 1967.
Notes:

Cites performances of From the Steeples and the Mountains, Scherzo: Over the Pavements,Symphony No. 2, The Unanswered Question, and Variations on “America” (orchestrated by William Schuman). Numerous passing remarks about Ives, especially the re-pertoire performed by the Cleveland Orchestra.

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

McDonald, Matthew

Year: 2004
Complete Citation:
McDonald, Matthew. “Silent Narration? Elements of Narrative in Ives's The Un-answered Question.” 19th-Century Music 27/3 (2004): 263-286.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Melick, Jennifer

Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mellers, Wilfrid

Year: 1969
Complete Citation:
Mellers, Wilfrid. “Pre-sonata Ives.” Musical Times (July 1969) 110/1517: 744-745.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions