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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

French, Gil

Year: 2009
Complete Citation:
French, Gil. “Collections: “Lincoln Portraits.”” American Record Guide, Vol. 72, No. 4, (2009): 204-205.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
French, Gil. “Chamber Music on the Rise: Canandaigua Lake Music Festival.” American Record Guide, Vol. 72, No. 6, (2009): 34-35.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

French, Gilbert G.

Year: 2002
Complete Citation:
French, Gilbert G. “Ives: “From the Steeples and the Mountains”; “The Things Our Fathers Loved”; “The Pond”; [and others].” American Record Guide, Vol. 65, No. 3, (2002): 125-126.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fried, Alexander

Year: 1933
Complete Citation:
Fried, Alexander. “Music Society Offers Novelty in ‘Daniel Jazz.’” San Francisco Chronicle. April 26, 1933.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Fried, Alexander. “‘Ionization’s’ Percussions Pester Night Air—and Ear.” San Francisco Chronicle, May 29, 1934.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Fried, Alexander. “Taste for Modernism Satisfied in New Music Society Recital.” San Francisco Chronicle, April 10, 1934.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fricke, Stefan

Year: 2004
Complete Citation:
Fricke, Stefan. “Im Märzen Musik.” Dissonanz (2004): 45.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Froneman, Kristin

Year: 2012
Complete Citation:
Froneman, Kristin. “Triple Forte Offers a Reason to Get Dressed Up.” Vernon Morning Star, November 18, 2012, B5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fuchsberg, Larry

Year: 2004
Complete Citation:
Fuchsberg, Larry. “CD Review; Ives Pieces have their Ups, Downs.” Star Tribune (Minneapolis, MN), June 27, 2004, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fuhrmann, Peter

Year: 1977
Complete Citation:
Fuhrmann, Peter. “Ist seine Zeit gekommen? Charles Ives: Sinfonien Nr. 1-4.” Opernwelt 18/6 (1977): 48.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fuller, Donald

Year: 1942
Complete Citation:
Fuller, Donald, “New York Mid-Season, 1942-’43.” Modern Music XX, 1 (November-December 1942): 113.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Fuller, Donald. “Airborne over New York.” Modern Music XXIII 2 (Spring 1946): 120.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Fuller, Donald. “Forecast and Review.” Modern Music XXIII, 3 (Summer 1946): 201.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gail, Dorothea

Year: 2005
Complete Citation:
Gail, Dorothea. “The Second Movement of Charles Ives’s Fourth Symphony: An Analytical Approach to Form and Structure.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives Fourth Symphony: Quellen - Analyse - Deutung. Bd. 3. Hofheim, Germany: Wolke-Verlag, 2009.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives’ Fourth Symphony. Hofheim, Germany: Wolke, 2009.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gann, Kyle

Year: 1996
Complete Citation:
Gann, Kyle. “Master of the Universe.” Village Voice 41/23, June 4, 1996, 58. 
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Gann, Kyle. “Heaven Enough.” Village Voice 41/26, June 25, 1996, 62.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Gann, Kyle. “Now in Technicolor.” Village Voice 41/11, March 12, 1996, 66.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2000
Complete Citation:
Gann, Kyle. “That Grumpy Old Pianist Is Ives.” New York Times, Febru-ary 20 2000, sec. B, 34.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews