Ives, Charles
Year: 1992
Complete Citation:
Ives, Charles. “Ives’s Program Note.” In The Fourth of July: Third Movement of A Symphony: New England Holidays, edited by Wayne D. Shirley, vii. Charles Ives Society Critical Edition. Milwaukee, WI: Associated Music Publishers, 1992.Source: Commentary in score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2003
Complete Citation:
Ives, Charles. “Culture: The Double Life of a Visionary; the CBSO Tonight Embarks on Britain's First Complete Cycle of Symphonies by Charles Ives. Christopher Morley Looks at the American Maverick Who Wrote some of the 20th Century's most Startling Music before Giving Up Full-Time Composition for the Insurance Business: FIRST Edition.” Birmingham Post, January 14, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Ives, Charles E.
Year: 1929
Complete Citation:
Ives, Charles E. “The Fourth Symphony for Large Orchestra.” New Music, Vol. 2, No. 2 (January, 1929).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1973
Complete Citation:
Charles E. Ives. “Note.” In Central Park in the Dark, edited by Jacques-Louis Monod, 31. Hillsdale, NY: Boelke-Bomart, 1973.Source: Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Iverson, Jennifer
Year: 2006
Complete Citation:
Iverson, Jennifer. “Spatial Structures of the Collage: the Case of Charles Ives’s Putnam's Camp.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Jack, Adrian
Year: 1974
Complete Citation:
Jack, Adrian. “Ives, Symphonies.” Records and Recording 18/1 (October 1974): 47-48.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Jack, Adrian. “Ives Recordings.” Records and Recording 18/2 (November 1974): 81.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Jack, Adrian. “Charles Ives, The Celestial Country.” Records and Recording 18/6 (March 1975): 62.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jacobs, Arthur
Year: 1950
Complete Citation:
Jacobs, Arthur. “American Music Seminar in Salzburg.” Musical America 70/8 (July 1950): 8.XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Jacobson, Bernard
Year: 1965
Complete Citation:
Jacobson, Bernard. “Premiere of Ives’ Fourth.” Music and Musicians 13, no. 11 (July 1965): 43.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966
Complete Citation:
Jacobson, Bernard. “Zukovsky and Kalish Play Ives.” High Fidelity/Musical America 16, no. 4 (April 1966): 152.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Jacobson, Bernard. “American Symphony Orchestra: Stokowski.” High Fidelity/Musical America 17, no. 3 (March 1967), p. 16.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Jacobson, Bernard. “Schuman: Violin Concerto. “New England Triptych.” Ives-Schuman: Variations on “America.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 1 (2001): 267-268.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Jacobson, Bernard. “The Want List 2001: Bernard Jacobson.” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 2 (2001): 113.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jaffe, Daniel
Year: 1997
Complete Citation:
Jaffe, Daniel. “Names for the Millennium: Marc-André Hamelin.” Classic CD (1997): 42.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair
Year: 2001
Complete Citation:
James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair. “Ives and His Use of Theater Transformation.” Lecture, Fiftieth anniversary of the East-man Wind Ensemble, Eastman School of Music, Rochester, New York, February 7, 2001.Notes: Musical selections performed in Kilborn Hall: Over the Pavements, Calcium Light Night, edited by Kenneth Singleton (chamber ensemble, Brad Lubman, con-ductor); and Overture and March “1776” and Country Band March (Eastman Dryden Orchestra, James Sinclair, conductor). Parts of this seminar were recorded and are available from the Eastman School.
Source: Lecture
IV. Individual Studies by Genre
A. Orchestral and Band Works
Janicka-Slysz, M.
Year: 1988
Complete Citation:
Janicka-Slysz, Małgorzata. “IV Symfonia Charlesa Edwarda Ivesa.” Zeszyty naukowe: Akademia Muzyczna im. Stastawa moniuszki w Gdansku 27: 75-94.Notes: Regarding Symphony No. 4
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Jenkins, David and Mark Visocchi
Year: 1979
Complete Citation:
Jenkins, David and Mark Visocchi. “Washington's birthday / by Charles Ives.” In Portraits in music. London, United Kingdom: Oxford University Press, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Jepson, Barbara
Year: 2004
Complete Citation:
Jepson, Barbara. “LEISURE & ARTS: In the Fray: Charles Ives: Once Neglected, Now Overrated.” The Wall Street Journal, January 20, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2019
Complete Citation:
Jepson, Barbara. “Composers Who found Inspiration in the Vernacular; Michael Tilson Thomas and the San Francisco Symphony Offer a New Recording of Charles Ives Music; Violinist Rachel Barton Pine Plays Concertos by Antonín Dvořák and Aram Khachaturian.” The Wall Street Journal, November 13, 2019.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
