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Bibliography

John Heiss, Jona-than Elkas, Charles Peltz, Gunther Schuller, and James Sinclair

Year: 2005
Complete Citation:
John Heiss, Jona-than Elkas, Charles Peltz, Gunther Schuller, and James Sinclair. “Conducting Ives [Panel]. Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Johnson, Bret

Year: 2009
Complete Citation:
Johnson, Bret. “CD Reviews: Corigliano; Jones; Giannini; Schuller; Daugherty; “Abraham Lincoln Portraits.”” Tempo, Vol. 63 (2009): 86-88.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Johnson, Harriett

Year: 1965
Complete Citation:
Johnson, Harriett. “An Ives Premiere After 50 Years.” New York Post, April 27, 1965, 20.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Johnson, Lawrence

Year: 1995
Complete Citation:
Johnson, Lawrence. “Patriotic Airs Fill Light Bill at Grant Park: North Sports Final Edition.” Chicago Tribune, August 21, 1995.
Notes:

Special to the Tribune.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Johnson, Lawrence A.

Year: 2005
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: “Universe Symphony (Ed. Reinhard).”” Gramophone, Vol. 83 (2005): A7.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: Symphony, “Holidays”; “The General Slocum”; Overture in G Minor; “Yale-Princeton Football Game”; Postlude in F Minor.” Gramophone, Vol. 87 (2010): A7-A8.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Johnson, Lawrence B.

Year: 1996
Complete Citation:
Johnson, Lawrence B. “Finding the Poetry Amid Ives’s Hurly-Burly.” The New York Times. August 25, 1996, sec 2: 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Johnson (Swafford), Jan

Year: 1968
Complete Citation:
Johnson (Swafford), Jan. “The Second Phase: Compositional Techniques and Form in Ives’ Fourth Symphony.” Senior Thesis, Harvard College, 1968.
Notes:

Unpublished

Source: Senior Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works

Johnson [Swafford], Jan L.

Year: 1968
Complete Citation:
Johnson [Swafford], Jan L. “The Second Phase Compositional Tech-niques and Form in Ives’ Fourth Symphony.” B.A. senior honors essay, Harvard College, Harvard University, 1968.
Source: B.A. senior honors essay
IV. Individual Studies by Genre
A. Orchestral and Band Works

Jolas, Betsy

Year: 1970
Complete Citation:
Jolas, Betsy. “Sur Ives: ‘The Unanswered Question,’” Musique en Jeu, No. 1 (1970).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1970
Complete Citation:
Jolas, Betsy. “Introduction a la Musique Americaine: Sur The Unanswered Question.” Musique en Jeu 1 (November 1970): 13-16.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Jolly, James

Year: 1985
Complete Citation:
Jolly, James. “Encounters with Ives.” Gramophone 63/748 (September 1985): 311.
Notes:

Discussion of Ives’s Symphony No. 4 on the occasion of the re- issue of RCA recording on Chandos.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
Jolly, James. Interview: “Aimard Flies Free with Concord [Interview].” Gramophone 82/980 (June 2004): 30--31.
Notes:

A discussion of Pierre -Laurent Aimard's performances and recording of Sonata No. 2, “Concord, Mass., 1840--1860,” for piano.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
Year: 2010
Complete Citation:
Jolly, James. “Soundwaves: Tune Surfing.” Gramophone, Vol. 88 (2010): 134-135.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Jones, Isabel M.

Year: 1932
Complete Citation:
Jones, Isabel M. “American Composers Featured in Concert.” Los Angeles Times 1932, A7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Jones, Isabel Morse

Year: 1944
Complete Citation:
Jones, Isabel Morse. “All-American Program Set.” Los Angeles Times, May 14, 1944 III: 5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Josephson, Nors S.

Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur einiger später Orchester-werke von Charles Ives (1874-1954).” Die Musikforschung 27 (1974): 57-64.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur Einiger Später Orchesterwerke Von Charles Ives (1874-1954).” Die Musikforschung, vol. 27, no. 1 (1974): 57-64.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984-1985
Complete Citation:
Josephson, Nors S. “The Initial Sketches for Ives’s ‘St. Gaudens in Boston Common’.” Soundings: A Music Journal 12 (1984-1985): 46-63.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kahn, Eve M.

Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved.” The New York Times, February 28, 2014, C26.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances