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Bibliography

Lee, Douglas A.

Year: 2002
Complete Citation:
Lee, Douglas A. “Charles Ives.” In Masterworks of 20th-century music: the modern repertory of the symphony orchestra. New York, New York: Routledge, 2002.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lee, J. Earl

Year: 1933
Complete Citation:
Lee, J. Earl. “In the Night.” Minneapolis Tribune. May 26, 1933, 28.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Lehman, Mark L.

Year: 2007
Complete Citation:
Lehman, Mark L. “Overview: American Symphonies.” American Record Guide, Vol. 70, No. 4 (2007): 40-55.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Leichtentritt, Hugo

Year: 1946
Complete Citation:
Leichtentritt, Hugo. Serge Koussevitsky, the Boston Symphony Orches-tra and the New American Music. Cambridge, MA: Harvard University Press, 1946.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lekfeldt, Jørgen

Year: 2004
Complete Citation:
Lekfeldt, Jørgen. “CDs: “Carl Nielsen. Complete Works for Organ” Ved Jens E. Christensen.” Dansk Musik Tidsskrift, Vol. 78, No. 5 (2004): 185.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Lerman, Leo

Year: 1974
Complete Citation:
Lerman, Leo. 1974. “Up Front: Sounds: Charles Ives.” Vogue 164: 158.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Levin, Monroe

Year: 1979
Complete Citation:
Levin, Monroe. “Notes on Music.” The Jewish Exponent. September 28, 1979, 74.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Libbey, Theodore W. Jr.

Year: 1981
Complete Citation:
Libbey, Theodore W. Jr. “Brooklyn Philharmonia And Foss Open Season.” New York Times. October 28, 1981, sec. C, 22.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Lindner, Ursel

Year: 2004
Complete Citation:
Lindner, Ursel. “Neue Kunst in der Neuen Welt, Charles Ives: Central Park in the Dark 1911.” In Musik im Kontext. Innsbruck, Austria: Helbling Publishing, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Linke, Norbert

Year: 1971
Complete Citation:
Linke, Norbert. “Records Disques Platten.” The World of Music, vol. 13, no. 4 (1971): 61-66.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

List, Kurt

Year: 1946
Complete Citation:
List, Kurt. “Measure for Measure.” Listen: The Guide to Good Music 9/1 (November 1946): 3.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Lou, Harrison

Year: 1944
Complete Citation:
Harrison, Lou. “Season’s End, May 1944.” Modern Music 21/4 (May-June 1944): 233-237.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Louis, Rémy

Year: 2010
Complete Citation:
Louis, Rémy. “Le disque: American Classics.” Diapason: le magazine du disque et de la musique vivante (2010): 67.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2014
Complete Citation:
Louis, Rémy Les. DVD: Michael Tilson Thomas. Diapason: le magazine du disque et de la musique vivante (2014): 118.
Source: Magazine (DVD announcement)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Louis, Rémy. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2015): 102-103.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Lowe, Steven

Year: 1969
Complete Citation:
Lowe, Steven. “Buffalo Philharmonic.” High Fidelity/Musical America 19, no. 8 (August 1969): MA 12.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Lowens, Irving

Year: 1959
Complete Citation:
Lowens, Irving. “The Curious State of American Music on Records.” Notes 16/3 (June 1959): 371-376.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1960
Complete Citation:
Lowens, Irving. “The American Recordings Project: Progress Report of the Committee, 5 February 1960.” Notes (March 1960) 17/2: 213-220.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1961
Complete Citation:
Lowens, Irving. “U.S. Composers Heard, But Not Often Enough.” Sun-day Star [Washington] (June 25), sec. C, 4.
Notes:

Reports of and comments on a Musical America tabulation of orchestral repertoire: Copland (23 works, 33 performances); Barber (10, 32); Creston (7, 18); Schuman (7, 18); Piston (5, 15); Ives (5, 11).

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Luck, Hartmut

Year: 2004
Complete Citation:
Luck, Hartmut. “Visionen einer andern Wirklichkeit: Die symphonischen Werke von Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 123-137. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works