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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Poteete, Robert A.

Year: 1954
Complete Citation:
Poteete, Robert A. “Jew's Harp Call Draws 24 Players.” New York Herald Tribune, February 17, 1954, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Potter, Keith

Year: 1998
Complete Citation:
Potter, Keith. “Classical: Sadly Second Rate Charles Ives Bournemouth SO Poole: Final Edition.” The Independent, December 15, 1998.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Pozzi, Raffaele

Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Prunières, Henry

Complete Citation:
Prunières, Henry. “American Compositions in Paris.” The New York Times, July 12, 1931, sec. 8, 6.
Source: Newspaper
Reprints:

Prunières, Henry. “American Compositions in Paris” [excerpt]. In <i>Charles Ives and His World</i>, compiled by Geoffrey Block and edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
Year: 1931
Complete Citation:
Prunières, Henry. “American Composers in Paris.” The New York Times, July 12, 1931, 6, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Prunières, Henry. “American Compositions in Paris.” The New York Times. July 12, 1931, sec. 8, 6.
Source: Newspaper
Reprints:

Prunières, Henry. “American Compositions in Paris.” Translated by Frank R. Rossiter. <i>Charles Ives and His World</i>.<i> </i>Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Quinn, Ian

Year: 2005
Complete Citation:
Quinn, Ian. “Guide to Records: Harbison - Symphony 3, Ives - Symphony 2, Gershwin - “Cuban Overture.”” American Record Guide, Vol. 68, No. 4 (2005): 126-127.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rákai, Zsuzsanna

Year: 2014
Complete Citation:
Rákai, Zsuzsanna. “Hangverseny: Ránki, Keller, Concerto Budapest.” Muzsika, Vol. 57, No. 6 (2014): 46-47.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ramey, Corinne

Year: 2014
Complete Citation:
Ramey, Corinne. “Arts & Entertainment: Giving a Hat Tip to an American Original --- Society Re-Creates Studio of Charles Ives.” The Wall Street Journal, March 4, 2014.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rankin, Bill

Year: 2003
Complete Citation:
Rankin, Bill. “Disc shows Two Sides of Musical Freethinker: Final Edition.” Edmonton Journal, May 18, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rathert, Wolfgang

Year: 1982-1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives: Symphonie Nr. 4, 1911-1916.” Neuland 3 (1982-83): 226-241.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives, Symphonie Nr. 4 (1910-1916).” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Rathert, Wolfgang. “Paysage imaginaire et perception totale: L’idée et la forme de la symphonie Universe.” Contrechamps 7 (1986): 129-154.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Charles Ives: ‘Robert Browning Overture’.” Neue Zeitschrift für Musik 148/4 (1987): 28-31.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zur Entwicklung des symphonischen Werks von Charles Ives.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart”: Kongreßbericht Köln, 1988, edited by Klaus Wolfgang Niemöller. Regensburg, Germany: Gustav Bosse, 1990.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zum symphonischen Werk von Charles Ives.” In Charles Ives und die amerikanische Musiktradition bis zur Gegenwart, 53-72. Cologne, Germany: University of Cologne, 1988.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Auratische Form und Lebenswirklichkeit—Zu Charles Ives’ Orchestral Set No. 2 (1909--1919).” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 138-148. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Raven, Seymour

Year: 1959
Complete Citation:
Raven, Seymour. “Music of Ives Ends Ravinia’s Concert Phase: Hendl Conductor for a Crowd Pleaser.” Chicago Daily Tribune, August 9, 1959, 16.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Raynor, Henry

Year: 1966
Complete Citation:
Raynor, Henry. “Miscellany.” Music Review 27/4 (1966): 331.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Recchi, Ray

Year: 1993
Complete Citation:
Recchi, Ray. “Shh! Sit Down and Mind Your Manners: Sports Final Edition.” Sun-Sentinel, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances