Rosenblum, Joshua
Year: 2001
Complete Citation:
Rosenblum, Joshua. “Ives: Sets for Small Orchestra, Songs.” Opera News, Vol. 66, No. 4 (2001): 53-54.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
Rosenblum, Joshua. “Recordings: Choral and Song: Ives: “Songs: Concord Sonata.”” Opera News, Vol. 69, No. 2 (2004): 70.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Rosenfeld, Paul
Year: 1932
Complete Citation:
Rosenfeld, Paul. “Critics of Music Are Denounced by Composers.” New York Herald Tribune, May 2, 1932, 8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Rosenfeld, Paul “American Premieres.” The New Republic 70/907 (April 20, 1932): 273--274.Notes: Questions the selection of some of the pieces instead of “one of the larger compositions by Ives,” among others.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Rosenfeld, Paul. “A Musical Tournament.” New Republic 71 (June 15, 1932): 121.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Rosenfeld, Paul and Herbert A. Leibowitz, eds.
Year: 1969
Complete Citation:
Rosenfeld, Paul. “Charles Ives.” In Musical Impressions: Selections from Paul Rosenfeld’s Criticism, edited by Herbert A. Leibowitz. London, United Kingdom: G. Allen & Unwin, 1969.Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Ross, Alex
Year: 1994
Complete Citation:
Ross, Alex. “How Ever Did You Do It, Mr. Ives?” The New York Times, November 15, sec. C, 20.Notes: The reviewer concludes that Ives’s “question goes unanswered.”
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “Tribute to Ives After 30-Year Effort.” New York Times. Feb-ruary 23, 1996, sec. C, 1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “In Bells and Microtones, A Legend Comes to Life.” The New York Times, June 8, 1996, 13.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “Ives and Mahler, Through the Same Lens.” The New York Times, February 20 1996, section C, 14.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Ross, Alex. “The Critics: Musical Events - All the Lonely People.” The New Yorker, Vol. 75, No. 22 (1999): 83-84.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Rottermund, Krzysztof
Year: 1989
Complete Citation:
Rottermund, Krzysztof. “Filozofia, estetyka i warsztat w utworze Charlesa Ivesa The Unanswered Question." Zeszyty naukowe 28 (1989): 199-202.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Rousuck, J.W.
Year: 1975
Complete Citation:
Rousuck, J.W. “Ives: ‘the First Great American Composer’: Peabody Conservatory to Present Complete Piano Sonatas on Tuesday.” The Sun. September 28, 1975, D3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Russell, John
Year: 1979
Complete Citation:
Russell, John. “Design Notebook.” The New York Times. February 8, 1979: C10.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Russell, Mary H.
Year: 1963
Complete Citation:
Russell, Mary H. “Children’s Corner: Chicagoland Final Edition.” Chicago Tribune, April 21, 2002.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Rydberg, Göran
Year: 1998
Complete Citation:
Rydberg, Göran. P2-tips: Egendomlig Satie och universell Ives. Musik: Tidningen för Klassiskt, Folkmusik och Jazz, No. 4 (1998): 11.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Rye, Matthew
Year: 2003
Complete Citation:
Rye, Matthew. “CDs Classical: 3.” Daily Telegraph (London, England), July 5, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Sabin, Robert
Year: 1951
Complete Citation:
Sabin, Robert. “Bernstein Conducts Ives Symphony No. 2.” Musical America 71, no. 4 (March 1951): 32--33.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1953
Complete Citation:
Sabin, Robert. “A Charles Ives Work for Chamber Orchestra.” Musical America 73, no. 1 (January 1, 1953): 24.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Salzman, By E.
Year: 1960
Complete Citation:
Salzman, By E. “Records: Ives: His Symphony no. 2 is Really Sophisticated.” The New York Times, September 25, 1960, X21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances