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Bibliography

Morton, Lawrence

Year: 1944
Complete Citation:
Morton, Lawrence. “Los Angeles to Hear Resident Composer.” Modern Music (November--December 1944): 50--53.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1945
Complete Citation:
Morton, Lawrence. “Western Evenings with Ives.” Modern Music 22/3 (March-April 1945): 186-188.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Mueller, John H.

Year: 1951
Complete Citation:
Mueller, John H. The American Symphony Orchestra: A Social History of Musical Taste. Bloomington, IN: Indiana University Press, 1951.
Source: Book
Reprints:

Mueller, John H. <i>Orchestras: A History and Analysis of Their Repertoires, Seasons 1842-43 through 1969-70</i>, 183-184. Bloomington, IN: Indiana University Press, 1973.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Nauck, Gisela

Year: 1985
Complete Citation:
Nauck, Gisela. “Weimar: Charles Ives’ Concord Sonata, DDR-erstauf-geführt.” Musik und Gesellschaft 35 (July 1985): 397-398.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Nelson, Mark Douglas

Year: 1984
Complete Citation:
Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Newark, Cormac

Year: 2000
Complete Citation:
Newark, Cormac. “Knowing the Score.” The Guardian, April 28, 2000: B18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Newton, Catherine R.

Year: 2010
Complete Citation:
Newton, Catherine R. “A Wild Ride with Saint-Saens, Ives.” The Salt Lake Tribune, December 3, 2010.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Newton, Catherine Reese

Year: 2017
Complete Citation:
Newton, Catherine Reese. “Ives Symphony Befuddles, Delights Abravanel Crowd.” The Salt Lake Tribune, February 18, 2017.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Nushi, Dafina Zeqiri

Year: 2011
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works

Oestreich, James

Year: 1997
Complete Citation:
Oestreich, James R. “Questing Spirit, Well Met.” The New York Times. 1997: C16.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Oestreich, James R.

Year: 1994
Complete Citation:
Oestreich, James R. “MUSIC REVIEW; Trio Plus One Takes on Charles Ives: Review.” The New York Times, August 30, 1994.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Oestreich, James R. “Varese's Memorable 'Ameriques' vs. Ives's Fourth.” The New York Times, May 1, 2000, sec. E, 5. 
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Oestreich, James R. “Multiple Bands on Parade, Not Afraid to Collide: Review.” The New York Times, August 20, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Oestreich, James R. “Out with Berlioz, in with Ives.” The New York Times, September 7, 2003, AR80.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Oestreich, James R. “From Medieval Song to Ives, A Series of Spring Farewells. (The Arts/Cultural Desk).” The New York Times, May 19, 2004, E3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls

Year: 1996
Complete Citation:
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls. “Panel Discussion: Charles Ives: The Unanswered Question.” The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.
Source: Panel Discussion
IV. Individual Studies by Genre
A. Orchestral and Band Works

Olson, Kenneth E.

Year: 1981
Complete Citation:
Olson, Kenneth E. Music and Muskets: Bands and Bandsmen of the American Civil War, 83. Contributions to the Study of Music and Dance, 1. Westport, CT: Greenwood Press, 1981.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Orga, Ates

Year: 1967
Complete Citation:
Orga, Ates. “Anglo-American.” Music and Musicians 16, no. 4 (December 1967): 46.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Page, Tim

Complete Citation:
Page, Tim. “Masur Leads A Concert Of ‘Originals.’” Newsday. May 31, 1994, 7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1987
Complete Citation:
Page, Tim. “Continuum in Tribute to Ives.” New York Times, February 1987, sec. C, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances