Image
Complete Citation:
McPhee, Colin. “Records and Scores.” Modern Music 18/4 (May--June 1941): 267--269.
Bibliography
Genres
McPhee, Colin
Year: 1941
Notes:
Lists contemporary Americans whose works arc recorded by Columbia and RCA. "Why no Ives, no Copland, no Harris—to mention a few who have done something significant in piano music.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1943
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 20/2 (January-February): 126-129.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Melick, Jennifer
Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Mercado, Mario
Year: 2004
Complete Citation:
Mercado, Mario. “Ives: The View from the Podium.” In Charles Ives: An American Original in Context, 28, 30. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Meredith, Austin
Year: 1997
Complete Citation:
Meredith, Austin. “Brant’s Adaptation of Ives's ‘Concord, Mass., 1840-1860.’” The Thoreau Society Bulletin, no. 220 (1997): 3.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Metz, Donald E.
Year: 2006
Complete Citation:
Metz, Donald E. “Collections: “Gillian Weir at Royal Festival Hall.”” American Record Guide, Vol. 69, No. 6 (2006): 229.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2009
Complete Citation:
Metz, Donald E. “Collections: “Variations on America.”” American Record Guide, Vol. 72, No. 6 (2009): 205.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Mihura, Brian L.
Year: 1982
Complete Citation:
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Miller, Philip L.
Year: 1967
Complete Citation:
Miller, Philip L. “Music for Chorus.” American Record Guide 33/5, January 1967, 410, 412.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Miller, Philip L. “Review of Robert Browning Overture by Charles Ives (sound recording).” American Record Guide 34/5, January 1968, 437.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Miller, Philip L. “Songs by Charles Ives and Others.” The American Record Guide 35, no. 4 (December 1968): 305.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1970
Complete Citation:
Miller, Philip L. “Review of Ives Choral Music.” The American Record Guide 36, no. 9 (May 1970): 674.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1971
Complete Citation:
Miller, Philip L. “Gunther Schuller—A Very Right Man to Interpret Ives.” The American Record Guide 37, no. 6, February 1971, p. 353.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Molkhou, Jean-Michel
Year: 2015
Complete Citation:
Molkhou, Jean-Michel. “Les disques de A à Z: Récitals: Quatuor Schumann.” Diapason: le magazine du disque et de la musique vivante (2015): 128-129.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Moomaw, Charles J.
Year: 1971
Complete Citation:
Moomaw, Charles J. “A PL/1 Program for the Harmonic Analysis of Music by the Theories of Paul Hindemith and Howard Hanson.” Master’s thesis, University of Cincinnati, 1971.Source: Master's Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Moore, David W.
Year: 1968
Complete Citation:
Moore, David W. “John Kirkpatrick: ‘Concord’ Revisited.” The American Record Guide 35, no. 7 (December 1968): 546-547.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2005
Complete Citation:
Moore, David W. “Guide to Records: Ives - “Songs,” “Instrumental Pieces,” “Piano Pieces.” American Record Guide, Vol. 68, No. 4: 132.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2005
Complete Citation:
Moore, David W. “Guide to Records: Ives - Universe Symphony.” American Record Guide, Vol. 68, No. 5 (2005): 121-122.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2010
Complete Citation:
Moore, David W. “Collections: “New Worlds.”” American Record Guide, Vol. 73, No. 5 (2010): 243.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Moore, John David
Year: 2013
Complete Citation:
Moore, John David. Ravel: Trio; Shostakovich: Trio 1; Ives: Trio. American Record Guide, Vol. 76, No. 1 (2013): 137-138.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews