Image
decorative banner image

Bibliography

Elkus, Jonathan

Year: 1974
Complete Citation:
Elkus, Jonathan. “Charles Ives and the American Band Tradition: A Centennial Tribute.” Vol. 4 of American Arts Pamphlet, American Arts Documentation Centre. Exeter, England: University of Exeter, 1974.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1991
Complete Citation:
Elkus, Jonathan. “Preface.” In Charles E. Ives, Thanksgiving and Forefathers’ Day, edited by Jonathan Elkus, iii-iv. New York, NY: Peer International, 1991.
Source: Chapter in Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred Press, 2007.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ellsworth, Ray

Year: 1956
Complete Citation:
Ellsworth, Ray. “Americans on Microgroove, Part I.” High Fidelity 6/7 (July 1956): 63-69.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Enke, Heinz

Year: 1967
Complete Citation:
Enke, Heinz. “Charles Ives' "The Unanswered Question.”” In Versuche musikalischer Analysen, edited by Peter Benary. Berlin, Germany: Merseburger Verlag, 1967.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Enke, Heinz. “Charles Ives’ ‘The Unanswered Question’.” In Zur musikalischen Analyse, edited by Gerhard Schumacher, 232-240. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1974.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ericson, John Q.

Year: 1988
Complete Citation:
Ericson, John Q. “Ives and the Band March.” Unpublished typescript, 1988.
Source: Unpublished typescript.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Estep, Stephen

Year: 2010
Complete Citation:
Estep, Stephen. “Collections - American Piano Trios.” American Record Guide, Vol. 73, No. 6 (2010): 231-232.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva

Year: 2001
Complete Citation:
Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva. Superposicion y Gradualidad en Hallowe’en de Charles Ives. Research Group on Musical Analysis at the University of La Plata, Argentina. La Plata, Argentina: Editorial de la Universidad de La Plata, 2001.
Notes:

Translates to Superposition and Gradualism in Hallowe’en by Charles Ives

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Fairman, Richard

Year: 2015
Source: Online Article
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Falcinelli, Sylviane

Year: 2001
Complete Citation:
Falcinelli, Sylviane. “William Shuman: “Concerto pour violon. New England Triptych.” Ives: “Variations on ‘America’ (orch. Schuman).” Diapason: le magazine du disque et de la musique vivante (2001): 134.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Feder, Stuart

Year: 1983
Complete Citation:
Feder, Stuart. "Charles Ives and the Unanswered Question.” In The Psychoanalytic Study of Society edited by Werner Munsterberger, L. Bryce Boyer, and Simon A. Grolnick, 321-351. Volume 10 of The Psychoanalytic Study of Society. Hillsdale, NJ: The Analytic Press, 1983.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Feder, Stuart. “Hanover Square ‘Accordion’ to Charles Ives.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference Paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Feinberg, Alan

Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The “Emerson” Concerto-An Ultimate Statement.” American Record Guide, Vol. 61, No. 6 (1998): 6-8.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives premiere.” American Record Guide 61/6 (Novem-ber-December 1998): 6-8.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1999
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The ‘Emerson Concerto’: An Ulti-mate Statement.” American Record Guide 61/6 (November- December 1999): 6--8.
Notes:

Gives personal background to performances of Concord Sonata [in London], Study No. 22, and The Celestial Railroad prior to his playing of the premiere of the concerto.

Source: Magazine
Reprints:

Feinberg, Alan. “Endless Quest: Ives’s Emerson Concerto Comes to Life.” <i>Symphony</i> 50/1 (January- February 1999): 9-11.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Feith, Michel

Complete Citation:
Feith, Michel. “La Commémoration: Traduction Ou Trahison? (Saint-Gaudens, Ives, Lowell).” Revue Française D'études Américaines, no. 80, (1999): 69-81.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Fennell, Frederick

Year: 1976
Complete Citation:
Fennell, Frederick. “Charles Ives and the Conductor.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.
Source: Festival Pamphlet
IV. Individual Studies by Genre
A. Orchestral and Band Works

Finch, Hilary

Year: 1999
Complete Citation:
Finch, Hilary. “New Classical CDs: 1N Edition 1.” Times, February 25, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fine, Elaine

Year: 2000
Complete Citation:
Fine, Elaine. “Review of Ives, Trio (Sound Recording).” American Record Guide 63/6 (November-December 2000): 124.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews