Shirley, Wayne D.
Year: 1992
Complete Citation:
Shirley, Wayne D. Preface. In Charles E. Ives, The Fourth of July: Third Movement of A Symphony: New England Holidays, iii--vii. Charles Ives Society Critical Edition. Milwaukee, WI: Associated Music Publishers, 1992.Source: Preface to score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Sinclair, James B.
Year: 2000
Complete Citation:
Sinclair, James B. Liner notes for The Orchestral Music of Charles Ives. Premieres and New Ives Society Critical Editions, Orchestra New England. Koch International Classics, 3-7025-2, 2000, CD.Source: CD Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works
Singleton, Kenneth
Year: 1974
Complete Citation:
Singleton, Kenneth. Liner notes for Old Songs Deranged, Charles Ives Music for Theater Orchestra. Yale Theater Orchestra; James Sinclair, conductor. Columbia M32969 (1974).Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Singleton, Kenneth. “The Wind Music of Charles Ives.” Paper-presentation, Music Teachers National Association meeting, Portland OR, April 5-11, 1986.Notes: Recorded on audio cassette tape, labelled MTNA-312.
Source: Lecture
IV. Individual Studies by Genre
A. Orchestral and Band Works
Slonimsky, Nicolas
Year: 1988
Complete Citation:
Slonimsky, Nicolas. “Three Places in New England.” Symphony Maga-zine 39/2 (1988): 28-30.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Smith, Norman E.
Year: 2000
Complete Citation:
Smith, Norman E. “Ives, Charles.” In Program notes for band. Lake Charles, LA: Program Note Press, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Snapp, Kenneth
Year: 1977
Complete Citation:
Snapp, Kenneth. “Build a Band—And Educate It, Too.” The Instrumentalist 32 (September 1977): 52-53.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Sokolow, Anna
Year: 1980
Complete Citation:
Sokolow, Anna. Quartertones. New York, New York: Dance Notation Bureau, 1980.Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Sokolow, Anna and Ilene Fox
Year: 1983
Complete Citation:
Sokolow, Anna and Ilene Fox. “Scenes from the music of Charles Ives.” New York, NY: Dance Notation Bureau, 1983.Notes: Choreography from 1971.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Sokolow, Anna, choreographer
Year: 1976
Complete Citation:
Anna Sokolow, choreographer. Ellis Island (1976); ballet; Juilliard Dance Ensemble.
Music: excerpts from Sonata No. 2, "Concord, Mass., 1840--1860” for piano; Set No. 3; Sonata No. 3 for violin and piano; The Rainbow; Hymn, Tone Roads No. 1.
Prf: 1976 May 7: New York; Juilliard Theater; Andrew Rangell, piano.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Stedman, Preston
Year: 1979
Complete Citation:
Stedman, Preston. The Symphony. Englewood Cliffs, NJ: Prentice-Hall, 1979.Notes: Only passing references. Expanded coverage in second edition.
Source: Book
Reprints: Stedman, Preston. <i>The Symphony</i>, 350-365. 2nd ed. Englewood Cliffs, NJ: Prentice-Hall, 1992.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Stone, Kurt
Year: 1966
Complete Citation:
Stone, Kurt. “A Postscript on Ives’ Fourth.” The Musical Quarterly, Vol. 52 (1966).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Stover, Harold
Year: 1997
Complete Citation:
Stover, Harold. “Charles Ives’s Variations on ‘America.’” American Organ-ist 31/11 (November 1997): 72-75.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Swafford, Jan
Year: 1989
Complete Citation:
Swafford, Jan. “The Trouble with Charlie.” Symphony 40/4 (July-August 1989): 78-81, 114-117.Notes: A brief biographical sketch.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Swafford, Jan. “Catching Up with Charles Ives.” Symphony, Vol. 64, No. 1 (2013): 54, 56.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Taper, Bernard
Year: 1960
Complete Citation:
Taper, Bernard. Balanchine: A Biography. New York, NY: Collier Books/Macmillan, 1960.Notes: Considers Ivesiana of 1954 with “strange visions of indefinite nightmare” to be one of Balanchine's “acknowledged masterworks” in contemporary ballet from 1946 to 1963 (p. 262).
Source: Book
Reprints: Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1963. * Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1974.
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Taruskin, Richard
Year: 1994
Complete Citation:
Taruskin, Richard. “Away With the Ives Myth: The 'Universe' Is Here at Last.” The New York Times. October 23, 1994, sec. H: 42. Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Taruskin, Richard. “Out of Hibernation, Ives's Mythical Beast.” The New York Times. June 2 1996, sec. 2, 26.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Taruskin, Richard. “Two Stabs at the Universe.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 51-59. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Taylor, Paul, choreographer
Year: 1988
Complete Citation:
Paul Taylor, choreographer. Danbury Mix (1988); Paul Iaylor Dance Company. Music: Orchestral Set No. 2 (movements 1 and 3); Circus Band March; Orchestral Set No. 1 [Three Places in New England]: "Putnam's Camp" and "The Housatonic at Stockbridge.” Prf: 1988 May 12: New York.
1988 June 30: Durham, NC; Duke University; Page Audito-rium.
1990 March 8: New York; City College.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
